Jumat, 30 Mei 2014

## Ebook Wine Bar Food: Mediterranean Flavors to Crave with Wines to Match, by Cathy Mantuano, Tony Mantuano

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Wine Bar Food: Mediterranean Flavors to Crave with Wines to Match, by Cathy Mantuano, Tony Mantuano

After the workday, in places like Seville, Milan, Barcelona, and other cities that dot the Mediterranean, people gravitate to wine bars to relax, meet friends, savor small dishes of flavorful food, and, of course, enjoy the local wines that perfectly complement the moment.

In Wine Bar Food, acclaimed restaurateurs Cathy and Tony Mantuano show you how to re-create this irresistibly appealing part of the Mediterranean lifestyle at home. Organized by city, from Lisbon to Rome, and paired with accessible wines from each region, the delightfully unpretentious, simply prepared dishes can be shared as small plates by many or make a sit-down dinner for two or more. The 100 recipes emphasize flavor and ease of preparation over strict authenticity, so you’ll be able to round up the ingredients effortlessly to create delicious meals any night of the week, including:

Flaming Ouzo Shrimp (from Athens)
Pork Ribs with Garlic, Chilies, and Tomato (from Naples)
Pea, Bacon, and Pecorino Salad (from Nice)
Amaretto Polenta Pound Cake (from Venice)

Rich with great advice on affordable wine gems and recipes for some killer wine cocktails, Wine Bar Food has everything you need to make weeknight dinners and gatherings with friends simple, fun, and flavorful affairs.

  • Sales Rank: #181330 in Books
  • Published on: 2008-04-22
  • Released on: 2008-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .78" w x 7.76" l, 1.85 pounds
  • Binding: Hardcover
  • 208 pages

From Publishers Weekly
Husband-and-wife team Cathy and Tony Mantuano (chef-partners of the Spiaggia in Chicago, and authors of The Spiaggia Cookbook) share their delightful versions of wine bar recipes from across the Mediterranean. Each chapter focuses on a specific city (Rome, Seville, Nice and Lisbon, to name a few) and includes fun, fresh cocktails as well as simple yet delectable small plates and regional wine suggestions. The authors encourage mixing and matching recipes from different cities, explaining the point is to bring a little bit of the wine bar lifestyle—good food, good wine and simple technique—into your home. The couple includes background information on each dish, giving the reader a distinct sense of each recipe, all written with clear and thorough instructions. From Venice there is Whipped Baccalà with Polenta Crostini, and Black Pasta with Scungilli. Cocktail recipes include Limoncello Martinis from Naples and Mediterranean Lemonade made with ouzo, anise-flavored liqueur from Athens. Unique dessert recipes round out the assortment of options such as Mascarpone-Filled Dates with Chocolate and Lavender Ice Cream Sandwiches. With excellent sections on cured meats, imported cheeses and specialty pantry items, this is a wonderful book for food and wine lovers alike. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Cathy and Tony's new take on the seemingly simple and yet immensely satisfying concept of food and wine pairings makes it easy for both the novice and the professional to get so much more than the sum of vino plus comestibles. Most interesting to me are the lesser known wines from the Iberian peninsula and the killer yet easy to make snacks that accompany them. I'll take one of everything, please.”
—Mario Batali, author of Molto Italiano

“With the popularity of small plates growing every day, this book by ‘team Mantuano’ will help you fill your table like the finest chefs do in their kitchens.”
—Bobby Flay, author of Bobby Flay’s Mesa Grill Cookbook

“Having witnessed Chef Tony at work, I can safely say he is indeed a magician. Tony's approach is both elegant and breezy making this cookbook of secrets, also known as Wine Bar Food, a must-have addition to any kitchen. Plus, there are loads of delicious recipes for vegetarians like me.”
—Todd Oldham, designer

“There is no better Italian restaurant in America than Spiaggia; Tony Mantuano has always been committed to the truest flavors and finest pairings of wine for his extraordinary cuisine. Now, with Wine Bar Food, he makes that same standard of inspired excellence available to home cooks and wine lovers everywhere.”
—John Mariani, food and travel correspondent for Esquire Magazine and author of the Dictionary of Italian Food and Drink

“I can only imagine the fun Cathy and Tony Mantuano had bar-hopping their way through Mediterranean culinary capitals researching these mouthwatering recipes that transport your mind and taste buds all at once. These bar bites are for non-fussy cooks and guests who have the confidence to enjoy what is rustic and what is local.”
—Danny Meyer, author of Setting the Table

About the Author
CATHY MANTUANO is an expert on pairing food and wine. TONY MANTUANO is chef-partner at the celebrated Spiaggia in Chicago. The husband-and-wife team is opening Enoteca Spiaggia, a wine bar in Miami’s South Beach, in 2008. This is their second cookbook.

Most helpful customer reviews

11 of 11 people found the following review helpful.
An Excellent Cookbook
By Rebecca T
I actually own a wine bar and when this book came out I decided to purchase it to see if it might be helpful in inspiring new dishes at our bar. Not only have I enjoyed reading it, but the recipes are well-designed, easily duplicable, and delicious. We have adapted several for our wine bar with more to come. In addition the wine recommendations are spot on.

9 of 9 people found the following review helpful.
love this book
By M. Fox
We love this book!! The recipes are easy to follow, and easy to find ingredients, and delicious. We made three more last night and all were enjoyed. After returning from a trip to Europe one of our overall favorite meal experiences was cichetti in Venice - this book has allowed us to replicate the food. The wine pairings are also very helpful. Please keep on writing cookbooks like this Cathy and Tony!!!

7 of 7 people found the following review helpful.
One of the best
By D. Nick
After reading several reviews in the Chicago Tribune and Chicago Magazine, I knew I wanted to own a copy of this cookbook. The recipes and ideas for entertaining are great. The recipes are clearly written and easy to follow and the entertaining ideas are fresh and new. I can't wait for my next dinner party to try out the mozzarella bar!

See all 13 customer reviews...

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Kamis, 29 Mei 2014

~~ PDF Download Phytochemical Diversity and Redundancy in Ecological Interactions (Recent Advances in Phytochemistry)From Springer

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Phytochemical Diversity and Redundancy in Ecological Interactions (Recent Advances in Phytochemistry)From Springer

Diversity within and among living organisms is both a biological impera­ tive and a biological conundrum. Phenotypic and genotypic diversity is the critical currency ofecological interactions and the evolution of life. Thus, it is not unexpected to find vast phytochemical diversity among plants. However, among the most compelling questions which arise among those interested in ecological phytochemistry is the extent, nature, and reasons for the diversity of chemieals in plants. The idea that natural products (secondary metabolites) are accidents of metabolism and have no biological function is an old one which has resurfaced recently under a new term "redundancy. " Redundancy in the broader sense can be viewed as duplication of effort. The co-occurrence of several classes of phytochemieals in a given plant may be redundancy. Is there unnecessary duplication of chemical defense systems and ifso, why? What selective forces have produced this result? On the other hand, why does the same compound often have multiple functions? At a symposium of the Phytochemical Society of North America held in August 1995, in Sault Ste. Marie, Ontario, Canada, the topic "Phytochernical Redundancy in Ecological Interactions" was discussed. The chapters in this volume are based on that symposium. They both stimulate thought and provide some working hypotheses for future research. It is being increasingly recognized that functional diversity and multiplicity of function of natural products is the norm rather than the exception.

  • Sales Rank: #7028173 in Books
  • Published on: 1996-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .88" w x 5.98" l, 1.45 pounds
  • Binding: Hardcover
  • 319 pages

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Rabu, 28 Mei 2014

^^ Ebook The Paper Architect: Fold-It-Yourself Buildings and Structures, by Marivi Garrido, Ingrid Siliakus

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The Paper Architect: Fold-It-Yourself Buildings and Structures, by Marivi Garrido, Ingrid Siliakus

The Taj Mahal may have taken 22 years to build, but you can do it in less than a day! Using crisp folds and a craft knife, you can easily recreate the world’s greatest architectural structures from ordinary sheets of paper. Whether you’re building the White House after dinner or crafting an origami version of the Eiffel Tower in an afternoon–and then folding it up to send to a friend in Paris–The Paper Architect guides you through every step of the process.

The directions for building these replicas are clear and easy to follow. In fact, the book contains an entire section of removable templates with color-coded fold lines that make construction simple enough for a first-time folder. All that’s needed is a craft knife, a metal-edged ruler, a cutting mat, and a clear work surface. For those looking for more of a challenge, the patterns can be enlarged or traced onto special paper for endless variations.

Each project also includes a wealth of information, from the history of the buildings and technical drawings to the raw materials used during construction. With quick facts that supplement the text, step-by-step illustrations, and clear instructions, all of these display-worthy projects can be mastered with no previous paper craft or architectural experience!

  • Sales Rank: #504037 in Books
  • Published on: 2009-02-03
  • Released on: 2009-02-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x .93" w x 9.72" l, 1.85 pounds
  • Binding: Hardcover-spiral
  • 70 pages

About the Author
MARÍA VICTORIA GARRIDO BLANCHINI’s origami designs have been exhibited at the American Craft Museum in New York.

INGRID SILIAKUS’s origami work has been displayed at the American Craft Museum, in soho’s Gallery 91, and across europe, including the Holland Paper exhibition.

JOYCE AYSTA is the owner of Live Your Dream Designs (www.liveyourdreamdesigns.com). Her origami and kirigami cards are sold throughout the United states at famous buildings and museums including the Library of Congress, the National Building Museum, and some of Frank Lloyd Wright’s houses. She lives and works in Los Angeles, California.

Most helpful customer reviews

31 of 33 people found the following review helpful.
Fantastic Book for Origamic Architects of All Skill Levels
By Andrew Crawford
This gorgeous book starts with several pages of basic and general
assembly instructions. However, each model includes detailed
construction directions, along with detailed notes and statistics about
the real structures. There are, of course, photos of the buildings and,
excellent-quality full-page photos of the completed OA models.

Good origamic architects clearly had a hand in the book design. Being hard-covered spiral-bound, it lays nice and flat. Pattern pages collected in the back of the book are perforated for easy removal.

All three authors have announcements on their sites with additional
details, including lists of all the patterns in the book.

Congratulations to all three artists on this fantastic new book!

9 of 9 people found the following review helpful.
Perfect for paper crafters and libraries catering to them
By Midwest Book Review
Crafters who would create miniature replicas of the world's great architecture, from the London Eye to the Parthenon and the Golden Gate Bridge, will relish this collection of fold-it-yourself buildings and structures offering 20 templates for construction. Step-by-step, clear directions accompany easy and fun diagrams, photos and templates perfect for paper crafters and libraries catering to them.

6 of 6 people found the following review helpful.
Unique, Fun, and Educational
By S. Green
As far as I know this is the only book in the U.S.A. that focuses solely on kirigami/origami architecture. For each model there is a large picture of the finished result, a fact sheet, (which I found really cool since you can learn about the building you're working on), and a pattern which clearly shows where to cut, where to mountain fold and where to valley fold. These patterns can also be easily be removed for use. All the projects are impressive looking and conveniently organized by difficulty. I'm also happy with the variety of architectural styles. There is everything from bridges to tall vertical structures, edgy to round, ancient to modern. I think there is enough variety that after creating all the models in this book you could possibly figure out how to create other buildings on your own.
If you want to make the models larger than the pattern in the book you can measure each cut and multiply them each by the same percent, (depending on how large or small you want to go), or you could scan the image and blow it up. There is a lot of entertainment to be had as this is a rather time consuming project. Keep in mind you will need an exacto knife or razor blade, stiff paper such as card stock or poster board, and possibly a metal ruler. I would definitely recommend this book which combines history, cultural geography, mathematics, and art into fun.

See all 34 customer reviews...

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I Put A Spell On You: The Autobiography Of Nina Simone, by Nina Simone

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I Put A Spell On You: The Autobiography Of Nina Simone, by Nina Simone

James Baldwin used to tell Nina Simone, "This is the world you have made for yourself, now you have to live in it." Simone has created for herself a world of magnificent peaks. Often compared to Billie Holiday and Edith Piaf, Simone is known as one of the greatest singers of her generation. She has recorded forty-three albums, ranging from blues to jazz to folk, and her hits like "I Loves You, Porgy," "My Baby Just Cares for Me," "I Put a Spell on You," and "Mississippi Goddam" have confirmed her as an enduring force in popular music. Her song "Young, Gifted, and Black" became the anthem for the Civil Rights Movement and thrust her beyond international stardom into the center of activism. But such worlds as Simone's are not without their grim valleys: disastrous marriages, arrest and the threat of imprisonment, mental breakdown, poverty, and attempted suicide. She has survived these trials and continues to perform throughout Europe and the United States. With undiminished passion and in her unconquerable voice, this is Nina Simone’s powerful memoir of her tempestuous life.

  • Sales Rank: #3553437 in Books
  • Published on: 1993-08-21
  • Original language: English
  • Number of items: 1
  • Dimensions: .61" h x 6.11" w x 9.18" l,
  • Binding: Paperback
  • 208 pages

From Publishers Weekly
Simone grew up during the Depression in a small North Carolina town where, thanks to a farsighted music teacher and caring neighbors who paid for her lessons, she was trained as a classical pianist. After attending Juilliard on a scholarship she was rejected by the Curtis Institute in Philadelphia (a setback she attributes to the fact that she is black), and she became a nightclub entertainer, singing and accompanying herself on the piano and, with her skillful improvisations of popular songs in classical style, quickly becoming a star. In the 1960s she joined the civil rights movement and became well known as a protest singer. Then, in the 1970s and '80s, disillusioned with the U.S., she went into self-imposed exile in Africa and Europe. Unfortunately, written with freelancer Cleary, her account of these later years, in which she concentrates on personal problems and a number of tiresome love affairs, lacks the interest of the early part of the book, which describes her unusual childhood and remarkable rise to fame. Photos not seen by PW.
Copyright 1991 Reed Business Information, Inc.

Review
Lincoln Center Institute Resource Center blog, 7/9/09
“Compelling, honest, and powerful. It is meticulously packed with historical information on America during some of its ugliest times, coming from the voice of someone who lived through it everyday…a voice of a woman who devoted her adult life to changing the face of society…From a musical standpoint alone, I Put a Spell On You is an extremely valuable read. However, this would also be a unique, relevant and worthwhile addition to any high-school or collegiate history library, or anyone with an interest in the civil rights movement both politically and artistically.”

About the Author
Stephen Cleary is a Christian, husband, father, and developer who makes his home in beautiful Northern Michigan. He enjoys speaking and writing, but at the end of the day he enjoys being just a regular developer. Since joining the professional ranks in 1998, Steve has acquired a great deal of experience, ranging from ARM firmware to Azure. He has contributed to open source from the very beginning, starting with the Boost C++ libraries and releasing several libraries and utilities of his own.

Most helpful customer reviews

41 of 41 people found the following review helpful.
A book of facts not feeling
By Lucy Lucy
Nina Simone is one my All-time favorite artists and to read her story in her own words was quite a thrill. She has led a very interesting, unusual, and adventurous life. However, I found myself wishing that she would be a little bit more introspective in the telling of the story. She went from event to event without really giving a detailed picture of how she actually felt. When the book was over I didn't really feel any different than when I began reading the book, just more knowlegeable.

52 of 56 people found the following review helpful.
Nina Simone is great, but this book needed more work
By A Customer
Nina Simone is a great artist with a compelling story to tell. Unfortunately, little of that story comes across in this book. Ms. Simone shares all sorts of details about her lovers, but very little about her music. There is almost nothing in the book about her recording sessions or why she sings particular songs the way she does. While Ms. Simone is very frank about her personal life, I would have liked to have learned more about her music. The book is also confusing because Ms. Simone will spend many pages on just a few days, and then entire years will be dismissed by a sentence or two. Ms. Simone's collaborator should have edited the book better and drawn out more music-related stories from her.

35 of 37 people found the following review helpful.
Tortured Soul
By S.B. Davidson
It is true that this book is not well written and seems to have been put together on the quick without any professional editing. My guess is that it was written as a means to make a fast buck. That said, the autobiography is worth reading because it is the only real glimpse many of us will ever get into the psyche of Nina Simone. I read that she was diagnosed with bipolar disorder in the 1960s and this was kept secret until well after her death. I don't know for a fact if she actually had bipolar disorder. However, it is evident from reading her life story as told by her that she did have emotional and psychiatric problems. She made rash and erratic decisions for her and her daughter and her life seemed to be filled with self imposed chaos. She was an angry person, was always running from some thing, and blamed anyone and anything but herself for her unhappiness and problems. Most surprising to me was how she was always looking for someone, usually a man, to save her. I had no idea before reading this book that Nina Simone struggled so much with low self esteem, fear, hate, and erratic behavior. Her music is so powerful and she comes off as such a strong and solid person. That is why this book is worth reading. Compared with her music and stage persona, the autobiography shows a different side or Nina Simone. With the two combined, the reader realizes just how complex and even tragic, Nina Simone the woman was. I would recommend this book to anyone who wants to know a little more about Nina Simone. She is an imperfect human being and this is her account of her life

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Minggu, 25 Mei 2014

# Ebook Never Say Die: The Myth and Marketing of the New Old Age, by Susan Jacoby

Ebook Never Say Die: The Myth and Marketing of the New Old Age, by Susan Jacoby

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Never Say Die: The Myth and Marketing of the New Old Age, by Susan Jacoby

Never Say Die: The Myth and Marketing of the New Old Age, by Susan Jacoby



Never Say Die: The Myth and Marketing of the New Old Age, by Susan Jacoby

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Never Say Die: The Myth and Marketing of the New Old Age, by Susan Jacoby

Susan Jacoby, an unsparing chronicler of unreason in American culture, now offers an impassioned, tough-minded critique of the myth that a radically new old age—unmarred by physical or mental deterioration, financial problems, or intimate loneliness—awaits the huge baby boom generation. Combining historical, social, and economic analysis with personal experiences of love and loss, Jacoby turns a caustic eye not only on the modern fiction that old age can be “defied” but also on the sentimental image of a past in which Americans supposedly revered their elders. 
 
Never Say Die unmasks the fallacies promoted by twenty-first-century hucksters of longevity—including health gurus claiming that boomers can stay “forever young” if they only live right, self-promoting biomedical businessmen predicting that ninety may soon become the new fifty and that a “cure” for the “disease” of aging is just around the corner, and wishful thinkers asserting that older means wiser.
 
The author offers powerful evidence that America has always been a “youth culture” and that the plight of the neglected old dates from the early years of the republic. Today, as the oldest boomers turn sixty-five, it is imperative for them to distinguish between marketing hype and realistic hope about what lies ahead for the more than 70 million Americans who will be beyond the traditional retirement age by 2030. This wide-ranging reappraisal examines the explosion of Alzheimer’s cases, the uncertain economic future of aging boomers, the predicament of women who make up an overwhelming majority of the oldest—and poorest—old, and the illusion that we can control the way we age and die.
 
Jacoby raises the fundamental question of whether living longer is a good thing unless it means living better. Her book speaks to Americans, whatever their age, who draw courage and hope from facing reality instead of embracing that oldest of delusions, the fountain of youth.

  • Sales Rank: #641879 in Books
  • Published on: 2011-02-01
  • Released on: 2011-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.53" h x 1.28" w x 6.37" l, 1.45 pounds
  • Binding: Hardcover
  • 352 pages

From Publishers Weekly
"I am about to present a portrait of advanced old age," Jacoby (The Age of American Unreason) warns, "that some will find too pessimistic and negative." Her portrait of the emotional, physical, fiscal, and mental problems debunks popular myths about life in our 80s and 90s, "the worst years of lives." Jacoby locates American youth culture from colonial days, when, in 1790, "only about 2 percent were over sixty-five." By 2000, those over 65 were 12.4%, thanks to modern medicine and the benefits to well-being coincident to the economic prosperity of the 1950s and '60s. Jacoby cautions that marketing has deceived the public by suggesting that "cures for mankind's most serious and frightening diseases are imminent and that medical reversal or significant retardation of aging itself may not be far behind." As she attends to the "genuine battles of growing old," Jacoby is both moving and informative about Alzheimer's costs to the psyche and the purse of sufferer and caretaker, and eye-opening as she reframes impoverished old women as "a women's issue." She raises timely and "uncomfortable questions about old age poverty, the likelihood of dementia, end-of-life care, living wills, and assisted suicide." (Jan.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
*Starred Review* As the older members of the baby boom generation approach 65, marketers are at the ready with an abundance of “age defying” products and services. But is aging as trouble free as marketers tout and aging consumers would like to believe? For her part, journalist Jacoby, herself in her 60s, admits to rage at the efforts to redefine old age without facing up to the unavoidable realities. For example, after age 65, the prevalence of Alzheimer’s doubles every five years. She focuses on distinctions between the young old (60s and 70s) and the old old (80s, 90s, and the few 100s) as well as the very different prospects for the elderly who are poor or minorities. Jacoby explores social, cultural, economic, and political changes in the concept of old age, from passage of the Social Security Act to extended life expectancy and retirement, from the activism of the Gray Panthers to the ravages of Alzheimer’s. Drawing on research, personal experience, and anecdotes, she offers an important reality check for Americans enamored of the images of healthy, active seniors featured in advertisements. --Vanessa Bush

Review

"If old age isn't for sissies, then neither is Susan Jacoby's tough-minded, painful-to-read and important book, which demolishes popular myths that we can "cure" the "disease" of aging and knocks the "g" right out of the golden years...[Jacoby supports] her arguments eloquently and persuasively with historical, sociological, scientific and economic research." –Washington Post

“Jacoby’s tough-minded refusal to buy the rosy image painted by advertisers and the ‘anti-aging industry’—a greedy crowd that includes bogus health gurus, pill pushers and other medical hucksters—is empowering.” –Time Magazine

“Providing a compelling, convincing account of current reality, Jacoby simultaneously demolishes the overly optimistic scenarios of the baby boomer generation…A cogently argued and well-written corrective to ‘the fantasy of beating old age.’” –Kirkus

“An important reality check.” –Booklist, starred review

“Moving and informative.” –Publishers Weekly

"Jacoby sees a new ageism that doesn't just stigmatize old people for their years, but blames them for physical ills that no lifestyle adjustments or medicine can yet forestall...Among other perils, the `old old' have a roughly even chance of being counted among the mind-eaten ranks of Alzheimer's victims. We may not like to think that poverty, social isolation, crippling pain, dementia and loss of autonomy are likely to come calling the longer we live, but it's a fact." -New York Times Book Review

“Mixes rigorous reportage and tart-tongued criticism with memoir and history, slashing through romanticized versions of the golden years and delivering tough truths.” –Newsday

“Eloquent…[Jacoby} is courageously right…one can hope that her impassioned, closely argued tract gains a serious hearing among her fellow boomers.” –Columbia Journalism Review
 
“Jacoby cuts through the fog of bromides and half-truths enveloping the discussion of aging, shines a light on issues long neglected and offers cogent solutions to pressing problems." –Miami Herald 

“Jacoby demolishes the multiple myths of the golden age of aging, partly through personal experience, partly through extensive, smart research.” –Seattle Times Best Books of 2011

"[A] book that will change the way you think about growing old. At least it changed the way this reviewer thinks...Jacoby proffers no magic pill for dealing with old age in America, but she calls for baby boomers to lead the way in forging an intergenerational contract that will recognize the responsibilities of one generation to anther...In the end, and in ways not recognized at the beginning of the book, Never Say Die is life-affirming." –Washington Independent Review of Books
 
“Relentlessly sensible…lively, carefully researched…[Jacoby] writes with both passion and reason.” –St. Petersburg Times
 
"Never Say Die mixes the intellectual and the emotional, academic studies and personal anecdotes. It is intentionally contentious, sometimes to the point of harshness. That is just as it should be. Jacoby does not want to serve as a destroyer of hope. Thank goodness, however, that she is willing to be a destroyer of false hope." –Columbus Dispatch

"In Never Say Die, Susan Jacoby confronts the unhappiest of truths: many of us will live too long--both for our own good and for the good of others. This is the darkness that looms over us at the intersection of medical ethics, social justice, economics, and our midnight fears. Never Say Die is a beautifully written, clear-eyed, and deeply compassionate book."
—Sam Harris, author of The Moral Landscape and The End of Faith

"Warning: This book is heretical. Susan Jacoby, one of our most perceptive public intellectuals, examines the current myth that it is possible to transcend the vicissitudes of old age by living right. In this fascinating look at the “new old age,” she shows that it is pretty much like the old one—marked by declining health, loss of independence, and often dementia. It is no service to older Americans to demand that they conform, or pretend to conform, to current notions of a serene, wisdom-packed, if passionless, old age. We need to deal with it as it is, not as we would like it to be."
—Marcia Angell, M.D., Senior Lecturer in Social Medicine, Harvard Medical School

“Susan Jacoby, a sworn enemy of irrationality of every form, has some shockingly bad news: We will all die, and most of us will get old first—not 'older' but actually old. In this beautifully crafted book, she punctures the promises that aging will eventually be 'cured' either by a wonder drug or though positive thinking. The good news is that if we wake up from our delusions we may be better able to grow old with dignity.”
—Barbara Ehrenreich, author of Nickel and Dimed: On (Not) Getting by in America

"For those of us who are old, Susan Jacoby's candor about old age is bracing; for those not yet old, Never Say Die should provide an unsentimental education for the years to come." –Philip Roth

“Disturbing and important…Civic planners, makers of public policy, sociologists, geriatricians, cultural historians, and advocates of the elderly should make their way through Jacoby’s book.” –The New Republic

“Important and informative…Jacoby does not want to serve as a destroyer of hope. Thank goodness, however, that she is willing to be a destroyer of false hope.” –Cleveland.com

“A searing examination…Never Say Die is a deeply personal book.” –AARP Bulletin
 
“Full of sobering truths.” –The Oregonian

“Jacoby, who is sharp and shoots straight, is bucking most of what is currently being written on this subject.” –The New Yorker
 
“Jacoby writes from the perspective of someone who fully understands the challenges of aging…The issues she raises are ones that Americans will need to address as more and more baby boomers officially qualify for senior discounts at their local Cineplex.” –The Erickson Tribune
 
“Never Say Die is solidly researched, full of convincing statistics, revealing anecdotes and Jacoby’s own personal stories…a valuable wakeup call to Americans.” –Winnipeg Free Press

“This is well-crafted book is relevant and certain to resonate with readers, especially those who are concerned about the uncertain future of our senior years.” –Tucson Citizen
 
“Everyone should read Jacoby’s Never Say Die because it deals with a topic none of us really wants to contemplate: life after the traditional retirement age of 65…Jacoby’s commentary about improving health care is among many suggestions she makes about how old age can be handled.” –The Washington Times

“In this well-written book, Jacoby takes a hard look at what she sees as the realities facing millions of old people in a country where youth is idolized…Never Say Die offers a hard-hitting and insightful guide to the daunting challenges baby boomers will face as they age.” –Spirituality & Practice  

“An eloquent meditation on the pitfalls of ‘the new old age.’” –Mother Jones
 
“A straight-shooter, and a fine writer…Jacoby’s response to the opponents of physician-assisted dying is thoughtful and rational—and interesting.” –deathwithdignity.org

“Jacoby provides a fascinating and inherently interesting look at an issue that all Americans will face sooner or later. Her fluid literary style effectively integrates opinion, facts and anecdotes into an enthralling narrative that reads more like an edge-of-your-seat suspense novel than a scholarly treatise on a very serious subject…This is a very powerful book; it needs to be required reading for all Americans.” –Kentucky Daily News    

Praise for
The Age of American Unreason
 
“Jacoby presents a cogent defense of intellectualism. America, she believes, faces a ‘crisis of memory and knowledge,’ in which anti-intellectualism is not only tolerated but celebrated by those in politics and the media to whom we are all ‘just folks.’”
—The New Yorker            
 
“Jacoby joins the grand tradition of authors who refused to swallow the notion that ‘visual literacy’—film, TV, video games—is the intellectual equivalent of reading a classic novel.”  
—Julia Keller, Chicago Tribune

 


Most helpful customer reviews

111 of 115 people found the following review helpful.
Best Retirement Planner Ever
By Amazon Customer
Seriously! Never Say Die is an excellent analysis of the realities of growing older in America, with its disappearing wealth, health, and social network.

Anyone who has taken care of their own parents knows what an enormous lot of crap is currently being peddled about "third careers" and "active aging" and "age-fighting cosmeceuticals." If you haven't known a lot of older people in your younger life, you are in for some big, big surprises as time goes by. Jobs, money, and looks don't last--everyone "knows" this but believes they'll be some kind of magical exception. But if you live long enough (and many of us might)--not so much.

Jacoby brilliantly eviscerates the happy myths of how "80 is the new 30" with what struck me as deadly accuracy. She shows with compelling clarity the mathematical impossibility of today's wage earners saving "enough" to fund a comfortable (or even decent) retirement. She points out that life's last viable decades or so are especially bad times to move to places where residents MUST drive, after many of them won't be able to. She shows how hard it is to have a decent death in the American medical system--and why.

I'm well over 50, and this book confirmed much of what I suspected was bogus about what our culture has decided to think about aging. Things that might actually help? Walk more (maybe a lot more), buy less, work more, connect more with your children, and DON'T move to the stereotypical retirement "dream home" on a Florida golf course. Easier said than done, as we all know, but that's a "retirement plan" no Wall Street wizard or wing-nut politician can destroy.

If you're making big decisions about the last future you'll ever have, this book could well be the best adviser you'll find.

146 of 155 people found the following review helpful.
Yes, we're all aging...
By Jill Meyer
Susan Jacoby has written of the "new" old-age in her book, "Never Say Die: The Myth and Marketing of the New Old Age". As a journalist, Jacoby has taken both personal and societal events and woven them together to produce an uncomprimising view of how Americans - and the first Baby Boomers just hit 65 - have tried to redefine old-age to make it - well, almost..."inviting".

Of course, she knows - and writes - that all the psycho-babble and advertising gimmicks cannot make our graying hair, our ever-growing bellies, and our arthritic knees any more acceptable to us by trying to say that "60 is the new 40" or even "90 is the new 50"! We are getting older and old age - which is acknowledged as beginning at 60, can be divided up as "60 to 80" as "young old age" and "80 and above as "old old age". As one who at 60 has just gone from "old middle age" to "young old age", I'm trying to see where I am on the continuum of the aging scale of my peers.

Well, Jacoby notes - and takes to task - the hucksterism of those hawking both the promise of eternal youth and the perceived yearning for eternal youth. Do you really want to live to be 120? I certainly don't; not with the problems of out-living my coin, my health, and my friends and family. Life IS finite, and it's a good thing it is.

Jacoby does an excellent job at highlighting the way the elderly are treated in our society. Yes, we're "wiser", but does that always make us respected by others? Are the problems of health care going to be fixed - Richard Nixon declared "war on cancer" in the 1970's but we're not winning that war just yet. Alzheimer's enfeebles many of our seniors; we're not making great progress - no matter what the drug companies promise - at helping those who suffer from it. And when AARP shows "young old age" problems as being just one bottle of "male-enhancement" pills and one plastic surgery away from being eradicated, they're really not telling the truth. These problems will follow us as we age.

Jacoby's book is entertaining reading. She's a lively, never boring writer. She's written a timely book and one that should appeal to those of us nudging into old age.

60 of 61 people found the following review helpful.
Cutting through the crap of old age.
By Dustin G. Rhodes
Undoubtedly, Susan Jacoby has a brilliant mind. Likewise, Never Say Die is a brilliant book. My only criticism is that Susan Jacoby could have used a brilliant editor; this book is overly long, and (not occasionally) tangential. But that's not reason to avoid this book. Quite the opposite, it's part of her charm -- the fact that the narrative is meandering, but always gets back to the point: old age, and how it kind of sucks for a lot of people, despite what the media would have us believe.

I am probably not (or maybe I am exactly?) the audience Susan Jacoby had in mind. I am 37 as I write this. I am interested in the topic of old age after watching my once vibrant and fun grandmother descend into a terrible depression that lasted nearly a decade. She died sad. Worse, no one seemed to have compassion for her perpetual bad mood (including myself). At her funeral, people lamented her bad attitude, and seemed to have forgotten that she was, in her younger days, imperfect (like all of us) but charming.

I didn't really understand what happened to my grandmother. It never occurred to me that maybe it simply sucked not being able to do everything she enjoyed doing. She often said she was ready to die, but instead was hooked up to machines, took lots of pills, descended into bitterness.

As always, Jacoby is a voice of reason and sanity. She writes with honesty, clarity and ultimately a lot of compassion. The fact that Jacoby is able to take such a cold, hard look at getting old while being old (or young-old, as she calls it) herself is quite moving. And while I am not a fan of using this term to describe books or Hollywood acting performances, in this case it's apt: Jacoby's book is quite brave. It takes a lot of courage to choose reality, especially now that we exist in a culture that embraces Oprah-style New Age mythology; fantasy over cold, hard, truth. We think God, or The Secret, or yoga, or __________ is going to save us. It never does. Jacoby is the modern, atheist version of a zen master, banging us over the head -- "wake up, people!" -- with the meditation stick, hard. We need it. I need it.

I think this book is important. We are all going to die, and most of us are going to die while being some form of old. Personally, I want to do so with expectations firmly planted in reality. Jacoby has written a sane reminder that old age and death can't be avoided, regardless of how many face-lifts or bowls of kale we eat.

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Walking Home: The Life and Lessons of a City Builder, by Ken Greenberg

One of the world's foremost urban designers shares his passion and methods for rejuvenating neglected cities and argues passionately for the importance and possibilities of their renewal.

From a youth spent in the boroughs of New York City and other great cities of the world, to his beginnings as an architect in Toronto, Ken Greenberg has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the mid-century drive to suburbanization deprived us of these inherent advantages of urban living. The realization of this loss, in tandem with pressing recent concerns about energy scarcity and global warming, has made us see cities with fresh eyes and a growing understanding that they can provide us with an unparalleled measure of sustainability.

Ken Greenberg has not only advocated for the renewal of downtown cores, he has for thirty years designed the very means by which that renewal can happen. Walking Home is both Ken's story and a lesson in turning the world's urban spaces back into places that can give us not only a platform to face the challenges of the future, but also a place we can call, with pride and satisfaction, home.


From the Hardcover edition.

  • Sales Rank: #1874169 in Books
  • Published on: 2012-08-07
  • Released on: 2012-08-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.90" h x 1.02" w x 5.20" l, .80 pounds
  • Binding: Paperback
  • 400 pages

Review
“Walking Home arrives at a good time in Canadian urbanism. . . . If you’ve been intimidated by the confounding planning language in miniscule type used in those newspaper rezoning ads, Greenberg’s guide to city building is refreshingly accessible and invites all of us to join in. . . . There’s much hope in Walking Home.”
—Shawn Micallef, National Post
 
“A book that feels hopeful and invigorating. . . . Smart, but accessible. And those that know little about planning history have nothing to fear, as Greenberg does the sweep through history picking up the usual suspects like Frank Lloyd Wright, Le Corbusier, and Jane Jacobs on the way.”
—Jake Tobin Garrett, Spacing
 
“An eloquent, personal, compelling and persuasive argument for more enlightened city-building, made all the more convincing by the Toronto-based author’s 30 years of international experience as an urban designer and architect..”
—Winnipeg Free Press

"A highly readable and erudite book written by one of the foremost practitioners in the field of architecture.... Highly recommended."
—Edmonton Journal

“A visionary architect and planner with an international reputation, some of Ken’s more notable assignments have focused on the transformation of problematic urban settings into new environments that not only serve the needs of his clients, but also succeed in reclaiming and enhancing the public realm for the benefit of all.”
—Robert A. Brown, President, Boston University
 
“Ken is one of the most skilled and respected urban designers practicing in the world today. His greatest strength, however, is his ability to build consensus on even the most controversial of projects.”
—Kairos Shen, Chief Planner of Boston
 
“I can say without hesitation that without [Ken Greenberg’s] expertise and guidance, St. Paul would not be what it is today.”
—Senator Norm Coleman, Former Mayor of St. Paul, Minnesota

About the Author
KEN GREENBERG is an architect and urban designer, living in Toronto. For over three decades he has played a pivotal role on public and private assignments in urban settings throughout North America and Europe, focusing on the rejuvenation of downtowns, waterfronts, neighbourhoods and university campuses from the scale of the city region to that of the city block. Cities as diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Washington, DC, Paris, Detroit, Saint Paul and San Juan, Puerto Rico, have benefited from his advocacy and passion for restoring the vitality, relevance and sustainability of the public realm in urban life. A former Director of Urban Design and Architecture for the City of Toronto and Principal of Greenberg Consultants, he is the recipient of the 2010 American Institute of Architects Thomas Jefferson Award for public design excellence.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.
My first and recurring experience of a city occurred at 1902 Avenue L off Ocean Avenue in Brooklyn, where I was born in 1944 and where I returned to live twice in my youth. Many details of that place have long ago faded, but what remains with me is an enduring mental map of a small piece of the world that included nearby Avenue M, Avenue J, Kings Highway, the BMT subway (today the F Train), Coney Island, numerous neighbourhood streets, the playground that was the centre of my small universe and my school, P.S. 193.
 
My grandparents had an apartment on the third floor of a six-storey building, and many other family members lived in this neighbourhood of apartment buildings and private houses. Ours was basically a one-bedroom corner apartment with a very small extra room off the kitchen. When we moved in, my grandparents moved into that small room.
 
My younger sister, Laura, and I slept on the couches in the living room, and my parents took the bedroom. It was crowded and uncomfortable in many ways, but there were compensations in the world outside. I remember hanging out on the roof on summer evenings, collecting butterflies and bottle caps on the streets below with my closest friend, stretching the dining-room table into the living room (with several extensions) for family gatherings, watching Ed Sullivan on the small TV with my grandfather and vacuuming for my grandmother while the radio blared.
 
We moved in with my grandparents again when I was in second grade. My little universe, the one I could navigate on foot and explore on my own or with friends, was defined by a stretch of Avenue L between the park at E18th Street and my school at E25th Street, where my aunt was a teacher. I often walked home to have lunch with my grandmother. All ages shared the park and playground at E18th. It was well equipped with concrete tables for playing cards (mostly pinochle), handball and basketball courts, a wading pool (which doubled for intense games of dodge ball), swings, see-saws and slides. It even had a park house with a staff and sports equipment to borrow. I spent all my free time after school there. Down the block on Avenue M, my uncle’s father-inlaw had a candy store near the corner, and we shopped in all the small food stores between Ocean Avenue and the subway station, including my favourite, the bakery, where I was sent to buy fresh bread, bagels and bialys. There was also the unforgettable live-chicken market, with its cages, noise and smells, where I shopped with my grandmother.
 
This small universe would be lost to me when our family moved on in search of employment and a place of our own away from the “crowded” and “congested” city. But now, many decades later and looking back, I can see this neighbourhood had many characteristics that city dwellers now value. At the time, though, we either took them for granted or didn’t have the words now used to describe them—words like “compact,” “walkable,” “transit-oriented,” “dense,” “for all ages,” “mixed-use.” When I returned as an adult, I was surprised to find that, physically, it had changed very little except that the Yiddish signs on some of the stores had given way to Russian. I do recognize that part of my positive feeling for this time and place rests on the fact that at a very young age, I was able to venture around the neighbourhood alone or just with friends. Sadly, times have changed. Even if the streets were safer and more human in scale, today, many parents still wouldn’t be comfortable with that level of freedom for real or perceived safety reasons. To what degree that trend is reversible is a poignant and open question.
 
Like many others after World War II, my family was experiencing the great collective antsiness, the urge to move to the greener pastures that were opening up outside the city. I was vaguely aware of adult conversations about how the city was deteriorating, while exciting new places to live were opening up in Queens, Long Island, Westchester and points beyond. This was a time of social change, with new emphasis on the nuclear-family household, wondrous new labour-saving devices and, above all, the freedom of the car and the irresistible draw of new highways. I was just as swept up as anyone in the excitement of a Sunday drive on the recently opened Grand Central Parkway or to Jones Beach, all of us packing into my grandfather’s new DeSoto. With a move out of the city, came an assumption of quality, value and status.
 
We first moved as a family to Fresh Meadows in Queens, a brand-new development funded by New York Life Insurance, and then a year later to a similar development on Brush Creek Boulevard in Kansas City, Missouri. These post-war housing developments were full of returning GIs and their young families. With walk-up apartments and townhouses, these developments were like halfway houses on the way to suburbia. Small, bounded enclaves that weren’t exactly city anymore, they represented the beginnings of the pulling away, the sorting out of the city’s varied population into something more homogeneous and controlled.
 
I witnessed here the creation of a more specialized world, intended only for living, while everything else, like working, happened in some other location. These new, surburban-style neighbourhoods featured their own parking lots, and leaving them usually meant getting in the car. At first, they were actually hybrids, still within the city fabric. However, as they progressively turned inward, their connections to surrounding streets and neighbourhoods started to disappear and their edges grew sterile. The layout of these projects began to reveal what I now recognize as early modernist urban planning (which I’ll come to shortly): “super blocks” with many old streets removed and buildings set well back from the sidewalks of the remaining streets but at different distances, so they appeared to zigzag creating a “sawtooth” effect. There was also one small supermarket, where the parking lot replaced the local shopping street as the main community focus. All the same, this place of business was still far more modest than today’s super-sized versions. The area inside the project was still walkable, but there was none of the variety found in my Brooklyn neighbourhood, and the traffic rivers on its edges were getting wider and faster. It fascinates me to look back at this development formula. As we now try to create less cardependent “urban places” within suburban settings, we sometimes cross paths with this earlier transitional stage, though we’re going in the other direction.
 
In 1954, we finally moved to real suburbia, to our own single-family house on Beacon Street in Newton, Massachusetts. Our neighbourhood was just inside the rapidly changing edge of older neighbourhoods where Route 128 had just been built, ringing Boston on the border between countryside and city. This place was closer to the suburban pastoral ideal. Waban Village Center on the commuter line (now the Green Line of the “T”) was a short distance away, providing a quick train ride into downtown Boston. At the same time this was one of a scattering of historic or historically inspired “urban villages” close to the countryside. There was still the smell of real farmland, collecting tadpoles and fishing in creeks and ponds was within my reach. But the landscape was changing rapidly, and in a short time the nearby countryside would fill in around us with newer suburbs.
 
Then, in 1958, an unexpected break took place in my family’s migratory pattern. My father had accepted an offer for a two-year assignment in Geneva, Switzerland.
 
We moved into a relatively new, modern apartment building on Rue Crespin, not far from the historic centre, and I made the liberating discovery of a city within the reach of a teenager. My world had expanded; I was no longer dependent on being chauffeured around. I had to get a bicycle licence and learn the rules of the road to pass a road test, but between my bike and the frequent tram service, I had the run of the entire city, including the nearby agricultural villages just outside its boundaries. I planned a multiday bicycle trip around Lac Léman with school friends, staying at youth hostels, and we also visited the Salève, a local mountain that towered over the city just across the border in France. I was enjoying the rites of coming of age with a degree of independence I couldn’t have experienced in suburban America. In short, my family and I were living in a culture where the city was clearly seen as something to enjoy, not a place to escape from. Daily shopping for our household happened practically on our doorstep—at the local Migros supermarket or after a short walk to Geneva’s other main supermarché, Coop, or the nearby street market. My mother took courses at the university. My sister and I created an impressive stamp collection just by soliciting used envelopes from all the consulates and international agencies we could get to on our own. Even as a teenager, this shift raised a lot of questions for me, not in abstract terms but very practically. How did I want to live? Wasn’t this kind of life in a city more desirable than what I had experienced before, with a much more interesting world at my fingertips? This was the beginning of a revelation. What if all the things I’d been been taught to assume about the disadvantages of the “city” were only that—assumptions— and not immutable laws of progress? What if older cities weren’t bad? What if they could become “modern” too? Geneva certainly seemed to have modernized while still retaining its valuable older qualities.
 
After two years, we moved briefly back to my old Brooklyn neighbourhood, where I attended Midwood High School. I quickly began taking pride in myself as a New Yorker, starting to hang out in Manhattan. My grandparents’ apartment was crowded, but the City was mine. When my family moved again—this time to South Orange, New Jersey, another older suburb on the rail line built around an historic village—I was ready to set out on my own. Amherst College in Massachusetts had already accepted me for early admission, but while waiting for the school year to begin, I was a fish out of water. Without a car in South Orange, I was stranded, but getting one was not the answer. I was still tied by an umbilical cord to Manhattan and found myself constantly running there on a bus or train.
 
How did my own early trajectory fit into the bigger pattern of domestic migration at the time? While I was jumping in and out of the suburban pool, massive change was afoot. Our outward moves were part of a vast transformation in which cities were stretched and hollowed out and their populations drastically depleted. In the two generations after World War II, the American urban landscape was profoundly reshaped, and when the dust settled, significantly more Americans lived in suburbs than in downtown neighbourhoods. Though there had always been out-migrations (from Manhattan to the Boroughs of New York, for instance), this one was different in magnitude and kind. As the rings on the periphery now began to dwarf the centre, the centre itself was being reshaped according to a radically different vision.


From the Hardcover edition.

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0 of 0 people found the following review helpful.
OK, a little dated
By Michael Lewyn
This book is a mixture of "war stories" from Greenberg's career and opinions on selected planning issues. The "war stories" part is more unique to Greenberg and thus more interesting (at least to me). For example, Greenberg and his colleagues revitalized a Toronto historic district with street furniture, crosswalks, small parks and street trees to make walking more interesting, as well as by narrowing a neighborhood street.

Greenberg, like many other urbanists, champions more walkable cities- an attitude I share. Much of his discussion addresses issues raised in many other books- though it still might be useful for someone unfamiliar with such issues. However, it is a little dated- he repeatedly emphasizes rising energy prices as a reason to make cities less car-dependent, but today energy prices are of course no longer rising.

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Empire and Domestic Economy (Interdisciplinary Contributions to Archaeology), by Terence N. D'Altroy, Christine A. Hastorf

The Upper Mantaro Archaeological Research Project, a multiyear program undertaken from the late 1970s through the mid-1980s, is a benchmark for a new level of quality in Andean archaeological research and has brought the theory and substance of research in the region to the attention of the larger archaeological community. This volume continues the UMARP tradition of developing innovative approaches to understanding prehistoric Andean economy and polity.

  • Sales Rank: #5171703 in Books
  • Published on: 2001-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .94" w x 6.14" l, 1.58 pounds
  • Binding: Hardcover
  • 382 pages

Review

From the reviews

"...has important theoretical implications for archaeological studies of empires, worldwide. Terence N. D'Altroy, Christine A. Hastorf, and their associates have helped move the Andes closer to the front lines of theory building in archaeology. Every chapter is rife with implications for the study of similar societies anywhere in the world, and each is a gem unto itself. Rarely have the archaeologically visible effects of imperial domination been so clearly documented. D'Altroy, Hastorf, and their associates most effectively have raised the bar for future studies of imperial-provincial relations. This book should reside in the library of every archaeologist with an interest in empires."
Journal of Anthropological Research, 58 (2002)

"...a tribute to the stamina and perseverance of both editors and contributors." (Norman Hammond, Antiquity)

About the Author
Christine A. Hastorf is known for her contributions to palaeoethnobotany, agriculture, meaning and the everyday, food studies, political economy, and ritual in middle range societies of the Andean region of South America. She has written and edited many articles and books, and has completed fieldwork in Mexico, California, New Mexico, Italy, Peru, Argentina, Bolivia, Turkey and England. She oversees an archaeobotanical laboratory at the University of California, Berkeley and directs an archaeological project in Bolivia. At the 2012 Society for American Archaeology meetings, she was awarded the Fryxell Award for Excellence in the Botanical Sciences in Archaeology.

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