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The award-winning author Amit Chaudhuri has been widely praised for the beauty and subtle power of his writing and for the ways in which he makes “place” as complex a character as his men and women. Now he brings these gifts to a spellbinding amalgam of memoir, reportage, and history in this intimate, luminous portrait of Calcutta.

Chaudhuri guides us through the city where he was born, the home he loved as a child, the setting of his acclaimed novels—a place he now finds captivating for all the ways it has, and, perhaps more powerfully, has not, changed. He shows us a city relatively untouched by the currents of globalization but possessed of a “self-renewing way of seeing, of inhabiting space, of apprehending life.” He takes us along vibrant avenues and derelict alleyways; introduces us to intellectuals, Marxists, members of the declining haute bourgeoisie, street vendors, domestic workers; brings to life the city’s sounds and smells, its architecture, its traditional shops and restaurants, new malls and hotels. And, using the historic elections of 2011 as a fulcrum, Chaudhuri looks back to the nineteenth century, when the city burst with a new vitality, and toward the politics of the present, finding a city “still not recovered from history” yet possessed of a singular modernity.
Chaudhuri observes and writes about Calcutta with rare candor and clarity, making graspable the complex, ultimately ineluctable reasons for his passionate attachment to the place and its people. 

• Sales Rank: #1489940 in Books
• Brand: Brand: Knopf
• Published on: 2013-09-10
• Released on: 2013-09-10
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.70" h x 1.20" w x 5.90" l, 1.01 pounds
• Binding: Hardcover
• 320 pages

Features

• Used Book in Good Condition

From Booklist
While his portrait of Calcutta reads like the work of an erudite traveler, Chaudhuri (The Immortals, 2009) is a resident, and to him, Calcutta is “one of the great cities of modernity.” A renowned novelist and essayist as well as a musician, he is also a professor of contemporary literature at the University of East Anglia, where W. G. Sebald also taught. Though Calcutta is nuanced, atmospheric, and deeply preoccupied with the past, it is not Sebaldian; Chaudhuri is lively, not melancholy. Amid anecdotes and information, he interviews natives and immigrants from every sector of society, including Indians returning from the West who find that they are not necessarily at home because they have changed, as has Calcutta—irrevocably. Who knew that Calcutta/Kolkata, the major city in the province of Bengal, had a democratically elected Communist government for decades? The Communists were responsible for making Calcutta “India’s most tolerant, multicultural, multireligious metropolis.” There are many reasons to read Calcutta. Perhaps the best is to see a global citizen’s view of the effects of globalization on a complicated, well-loved city. --Michael Autrey

Review
“Engrossing and impressive.” —Anita Desai, The New York Review of Books

“Fascinating. . . . Chaudhuri explores ideas of modernity and globalization in this essayistic appreciation. . . . [His] insider-outsider status allows him to probe the city’s eccentricities with both affection and unease.” —The New Yorker

“[A] lovely account. . . . [Marked by] the strength of Mr. Chaudhuri’s prose and the acuity of his observations. . . . [His] very personal story is a welcome contribution to the literature of the city. It also recalls another author who first set foot in Calcutta in 1962: V.S. Naipaul.” —The Wall Street Journal

“Equal parts memoir, literary history, sad-eyed sitcom. . . . [Calcutta is] rich in presence and sings a beautiful tune all of its own. . . . All the richer for presenting the city as a series of unexpected memory tugs.” —The Guardian (London)

“Chaudhuri’s writing has a strangely mesmeric quality, using the quotidian to draw the reader into the author’s mental world, his own way of looking. . . . His prose displays an ability amounting to brilliance for finding the right words to catch an emotion, a thought, a personality.” —Financial Times

“Simply stunning. . . . Calcutta should be mandatory reading not only for those unfamiliar with the place but for those who imagine they know it well. . . . Blending reportage, meditation, history and critique, it draws a fascinating portrait.” —The Independent (London)

“A complex patchwork of topics, scenes and even genres. It’s a crazy-quilt of a book that shows the author’s ear for reproducing speech and his knack for sketching not only personalities but also smells and, especially, tastes.” —Pittsburgh Post-Gazette

“India’s great cities have been the subject of many outstanding travel books and now it is the turn of Calcutta. [Chaudhuri’s] stories are spun out of a mix of history and family memoir, but the joy here lies in his digressions, his wanderings through the city, his remembrances and conjectures.” —The Sunday Times (London)

“Chaudhuri approaches his chronicle of the city of his birth with a practised eye.” —London Review of Books

“A splendid read; an introduction to a city, or confirmation of it; a meditation on expression and on [the author’s] own development as a writer. . . . Chaudhuri’s prose is delicious, his humour wry.” —Australian Book Review

“Beguiling. . . . Chaudhuri makes [Calcutta] sound like just the place to be.” —The Spectator (London)

“Concussed by the noise of the new and beguiled by echoes of the past, Chaudhuri maintains his novelist’s eye and ear for Calcutta’s character and citizens. He combines the serendipity of the flâneur with the sensitivity of the social historian.” —The Times (London)

“Chaudhuri is a writer, academic and musician. He uses his consciousness of all three in his narratives. He’s curious, he’s edgy . . . he’s incisive, reflective and sometimes poetic.” —The Tribune (India)

“Chaudhuri’s Calcutta has a different scope and intention to Suketu Mehta’s Maximum City (about Mumbai) and to William Dalrymple’s City of Djinns (about Delhi), but like those books, it succeeds brilliantly in making sense of a place few of us can know.” —The Observer (England)

“Unique and fascinating. . . . [Chaudhuri’s] masterful prose style lingers on the tiny, quotidian details and draws out their significance.” —Scottish Herald

“[Chaudhuri’s] most personal and perambulatory book to date. . . . [Calcutta] is a modernist canvas that mirrors the complexity and diversity of the metropolis itself and is in turn mirrored by Chaudhuri’s idiosyncratic style, blending autobiography, literary reportage, and personal essay.” —World Literature Today

About the Author
Amit Chaudhuri is the author of several award-winning novels and is an internationally acclaimed musician and essayist. Freedom Song: Three Novels received the Los Angeles Times Book Prize for Fiction. His many international honors include the Commonwealth Writers’ Prize; most recently, he became the first recipient of the Infosys Prize for Humanities—Literary Studies.  He is a contributor to the London Review of Books, Granta, and The Times Literary Supplement. He is currently professor of contemporary literature at the University of East Anglia and a Fellow of the Royal Society of Literature.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Too Often the Flavor of Calcutta Gets Lost in This Verbal Stew
By R. Schultz
The author introduces the reader to a wide range of Calcutta's characters here - from street stall owners to chefs in fancy hotels - from his family members to Mamata Banarjee, the woman who presented an alternative to the Communist/Maoist Party that had so long prevailed in the area.

Unfortunately, these individuals often get lost in a maze of run-on sentences crammed with subordinate clauses. Chaudhuri seems to be aiming at an imitation of Proust's "Remembrance of Things Past." He ostentatiously lets every observation trigger a stream of consciousness in him, flowing back and forth and around - from Bombay where he was born, to present-day Calcutta, to the Calcutta of his youth, to Oxford and Norwich where he studies/teaches in England. He is impressed by his own presumed ability to notice every detail and to imbue it with import.

Reading "Calcutta" is like watching a loom whose shuttle has gone tilt. The result is something that might have been meant as a tapestry, but that ends up being more of a crazy quilt.

This kind of undisciplined style could be forgiven if the writer made up for it with a generally likeable, engaging persona. But Chaudhuri doesn't endear himself. He comes across as taking too superior an attitude. This is evident as he goes rather pointlessly from poll to poll on election day, asking voters if they think the election "will change things." He makes it clear all these contacts are interview subjects, to be harvested for their answers and then left behind. There's also his revealing reference to his wife, who is only identified as "R" in the body of the book. Chaudhuri starts one long reflection by saying, "By the time I married R..." A more inclusive, loving person would have referred to "the day we got married."

One passage will serve to illustrate these difficulties with the book. Chaudhuri finally gets around to visiting his mother's oldest friend, who is dying in a not-too-distant town. Chaudhuri launches off - "Shobhabazar is in North Calcutta; so the narrow lane in which Mini mashi and her elder sister lived doggedly in a government flat, a five-minute walk from Tagores' house in Jorasanko, two minutes from Mallickbari or the marble Palace, and not far at all from Mahajati Sadan, the playhouse; an area as littered with the relics of history as Shobhabazar is thriving (besides still being home to the obscure mansions of erstwhile rajas and landlords) with stalls selling wedding cards, saris, dress material - but predominantly wedding cards."

Then in the next sentences, he justifies not having visited Mini mashi sooner by pointing out that his own home is in the more industrially progressive southern part of Calcutta. So the voyage up north always loomed for him as involving "pushing in the opposite direction, of bracing myself to travel against the current." This is an odd, abstractly inhumane reason for not visiting a friend.

The topics Chaudhuri chooses to notice also seem a little too eccentric. He writes about the players and cheerleaders being imported from other countries to make up the newly popular football games in India. But he doesn't mention much about the poverty there. He writes about the difficulties Italian chefs face getting Calcutta citizens to appreciate "al dente" food. But he doesn't mention much about the ecology of the area. He talks about how delightful Christmastime in Calcutta is, but says little about water shortages or pollution.

Perhaps though, the obliqueness of Chaudhuri's observations is a good thing. The book certainly doesn't present the stereotypical picture of India as a teaming, steaming, impoverished country. It puts India in general, and Calcutta in particular, in a whole new light, as a place of unexpected daily details.

There are tigers of forceful ideas that will spring out at you from the undergrowth of this book. You're likely to find some reflective gems amid the slough of verbiage. Because of all its convoluted, padded sentences, this is a hard book to skim through in order to find such treasure though. You pretty much either have to commit yourself to reading the book thoroughly, or else forego it altogether. On balance, I`d say you'd be better off for the reading of it. It will take you along a different sort of passage to India.

3 of 3 people found the following review helpful.
An Exile Returns to Calcutta
By Adam Rust
When I first saw this book, my initial expectation was that it would be a cousin to Maximum City by Sukethu Mehta, which is made up of the reflections of a man returning to Bombay. Calcutta is similar in that it is a very reflective book - somewhat in the spirit of work by V.S. Naipaul - and it is also written by a native who has left the country and now is returning.
But these authors have approached the question of their observed cities in different ways. Mehta spent a lot of time talking about the rule of law (little) and the unusual urban planning in Bombay. Mehta's book is really a book about a city.
Calcutta is less a book about a city and more a book about the passage of time. True, the title talks about two years, but the subjects at hand are instead the forces that have shaped the city over the last two or three decades.
Chaudhuri's contention is that Calcutta has slipped as a place. It is no longer the first city of India, as it might have been earlier in this century, and now a place that lies outside of India's new energy. Bombay has become a center of industry and finance, Bangalore symbolizes the nation's emergence as a high-tech hub, and Delhi holds the power of governance and culture.
He puts those changes on a variety of factors, most of which are political and cultural. He would seem to say that there has been a lack of intellectual competition in governance; the Naxalhites undermined the ability of the city to function and the Left Front stumbled when it should have been adapting to change.
Meanwhile, he questions how well the city's Bengali community has conceived of its place. While the Bengali language and customs dominate the cultural landscape, he says, the business of the city has been left to outsiders like the Marwari.
In all, he believes that Calcutta has stepped back. It no longer has a direct flight to Europe, its food veers toward syrupy sauces and poor imitations of Western dishes, and for the most part its world image starts with Mother Teresa. It is a country that people come back to in their later years, in order to care for their parents, and not as young people out to pursue a dream.
But it would be wrong to limit a review of this book to observations about Calcutta. The things that gave me the most enjoyment in this work were his reflections on his own path through this city. Chaudhuri spent his working life in English academia; now he considers himself an exile. He is an outsider. But as he visits with people, he draws out their lives to greater truths. I like what he takes from his time with a frustrated chef who cannot convince his customers to appreciate real Bengali food rather than kitschy imitations:
"It is a symbol of rural and urban Bengal's gradual lost of its past, with its delicate artisnal textures. This food was delicate. Now it is watery. For there's a thin line separating the delicate from the bloodless, in art as in food. Partly it has to do with the nature of Bengal modernity...which rejected the Hindu gods and goddesses and their antics in favour of an immanent radiance, and which, in the realm of the arts, preferred the implicit to the over-the-top, also kept its distance from strong and violent flavours in food. That modernity is on its last legs, as is its food. What was once implicit is now insipid."

3 of 3 people found the following review helpful.
The Realitries of Kolkata
By DH Koester
There are two cities in the world that have intrigued me since I was a little boy---Shanghai and Calcutta! I have now spent time in both--most recently Kolkata. I did what I could to prepare for the experience, reading multiple books, which helped develop my historical perspective and familiarize me with various parts of the city. But travel impressions, like beauty and art, are largely subjective in nature and Chaudhuris' are his own. Though interesting and sometimes instructive to read others experiences and feelings everyone has their own truth and to find yours re Kolkata you must go there--immerse yourself amongst the people, the segments of society--the poor and unfortunate--the lucky and privileged--the old, the young--the traditional, the modern--and do it not as a tourist but on a street level.
Chaudhuri gives us a somewhat analytical version of Calcutta. The truth---the true reality of Calcutta--- lies in the emotional version--and to get that you must go there!

DH Koester--"And There I Was" And There I Was Volume IX: A Backpacking Adventure in India

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At the age of 17 in the arms of a thief, Pierre Seel felt his watch sliding off his wrist. So begins the astonishing chain of events that led to the Schirmeck-Vorbruch concentration camp, where Seel suffered unspeakable horrors for the sole "crime" of being a homosexual. The story of survival in the camps has been told many times, but Seel's is one of the only firsthand accounts of the Nazi roundup and deportation of homosexuals. For nearly 40 years he kept his experiences - including torture, humiliation and witnessing the vicious murder of his lover at the hands of the Nazis - a secret in order to cover up his homosexuality. He found a wife through a personal ad, married, and raised three children. "The Liberation", he writes, "was for others". Finally, haunted by his experiences and by the silence of others, he decided to bear witness to an aspect of the Holocaust rarely seen. As he noted, "If I do not speak, I will become the accomplice of my torturers". The result is a terrifying and heartbreaking memoir, frank and courageous.

• Sales Rank: #3422032 in Books
• Published on: 1997-05
• Ingredients: Example Ingredients
• Original language: French
• Number of items: 1
• Dimensions: 8.00" h x 5.50" w x .75" l,
• Binding: Paperback
• 200 pages

Language Notes
Text: English (translation)
Original Language: French

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3 of 3 people found the following review helpful.
I enjoyed this..
By Cihuacoatl
I enjoyed this..It is good to learn of the stories that men and women endured to tell their tale of human triumph and suffering to all..Read "I, Pierre Seel, Deported Homosexual" too..And see "The Pianist. And watch the History channel show "Hitler's SS"..

1 of 1 people found the following review helpful.
Harrowing but necessary read, Especially during this despicable climate ...
By Carlos Leon
Harrowing but necessary read, Especially during this despicable climate. I really want to see a movie based on Mr. Seele's life,

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For many years TLC has suffered from the image of being a low sensitivity, low resolution, non-quantitative teehnique, suitable for chemists, but not a tool for real ehromatographers. Whilst perhaps true in the past this attitude no longer ref1eets the eapabi1ities of modern instrumenta1ized TLC in all its many forms. This volume represents the proceedings of a meeting in Brighton in 1987 whieh formed part of a eontinuing series of one and two day events on TLC organized by the Chromatographie Soeiety either alone or, like this one, in eonjunetion with other learned bodies. These meetings are designed to keep ehromatographers up to date with the latest deve10pments and help promote a more positive image of TLC. lan Wilson November 1987 v CONTENTS The Chromatographic Society xi Contemporary Thin-layer Chromatography: An introduction IoD. Wilson INSTRUMENTATION Quantitative Methods in Thin-layer Chromatography C. F. Poole, S. K. Poole and T. A. Dean 11 Fluorescence Line-narrowing Spectroscopy: A New and Highly Selective Detection Technique for Thin-layer and Liquid Chromatography J. W. Hofstraat, C. Gooijer, U. A. Th. Brinkman and N. H. Velthorst 29 Qualitative and Quantitative Image Analysis of Fluorescence from High Performance Thi. n-layer Chromatography R. M. Belchamber, S. J. Brinkworth, H. Read and J. D. M. Roberts 37 Analytical Rotation Planar Chromatography Sz. Nyiredy, K. Dallenbach-Toelke and O. Sticher 45 Analytical and Preparative Overpressured Layer Chromatography E. Mincsovics and E. Tyihak 57 Anticircular Planar Chromatography: Analytical and Preparative Aspects H. Traitler and A.

• Sales Rank: #13543592 in Books
• Published on: 1988-08-01
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .63" w x 6.14" l, 1.22 pounds
• Binding: Hardcover
• 247 pages

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> Ebook Download Showtime at the Apollo, by Ted Fox

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For close to 60 years the Apollo Theatre in the heart of Harlem has been one of America's foremost cultural institutions, a top showcase for black entertainers and a launching pad for some of the greatest talents of our time: Billie Holiday, Duke Ellington, Lionel Hampton, Ella Fitzgerald, Lena Horne, James Brown, Aretha Franklin, Gladys Knight, Diana Ross, Dionne Warwick, Sarah Vaughan, and Richard Pryor are just a few. Ted Fox has written a history of the special combination of people and atmosphere at the Apollo; he lets the theatre's stars tell a large part of the story through personal anecdotes, augmented by a splendid array of rare pictures. The author also discusses the evolution of black cultural forms in music and comedy, and in so doing, preserves routines, Apollo trademarks, and backstage lore that might otherwise be lost.

• Sales Rank: #3429051 in Books
• Published on: 1993-04
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.00" w x 1.00" l,
• Binding: Paperback
• 324 pages

Review
"A wonderful book." -- Tavis Smiley, National Public Radio 3/4/04

"Splendid…a richly anecdotal picture...The essential book, mandatory for the most casual student as well as the most ardent fan." -- David Hinckley, (NY) Daily News 1/26/04

"The definitive history of Harlem’s (and black America’s) essential theater." -- New York Magazine

From the Publisher
A night out at the Apollo was something special and enjoyable and more – the Apollo was home. Nearly every black performer interviewed for Ted Fox's "Showtime at the Apollo: The Story of Harlem's World Famous Theatre" used the word "home" to describe what the Apollo meant to them. It was home to all the performers who along with the audience comprised the Apollo family. It was a family that often scrapped, a family of sibling love and rivalry, but one bound together by shared experiences, hopes and ambitions. Although for performers the work was terribly difficult, and the theatre, like Harlem itself, was always rough, everyone looked forward to coming home to the Apollo. As Dionne Warwick says in the book, "The theatre was terrible: drafty, dirty, smelly – awful; and we loved every minute of it."

While the Apollo is now re-inventing itself and once again burnishing the legend – it nearly died in the 1970s and was forced to close its doors. As the civil rights movement began to alter the nation’s consciousness, other areas of opportunity became available at last to black performers. The system the Apollo was forced to work within for so many years began to collapse. The general acceptance of black culture into American popular culture was the beginning of something brand new, but it was also the beginning of the end for the Apollo Theatre. For it is the final irony that the ultimate casualty of this revolution was the Apollo itself.

Today, the Apollo Theatre remains at the heart of the African-American community – the place that legends still call home – as it’s been since 1934… James Brown, Smokey Robinson and George Clinton come back …Top black pop stars including Mary J. Blige and P.Diddy, trod the Apollo stage, following in the footsteps of Nat King Cole, Johnny Mathis and Dionne Warwick … Hip-hop group, The Roots, bring the sounds of the street into the theatre like the Orioles in their day… The Apollo’s "Latin Nites" series continues the vibrant tradition of Tito Puente and Mongo Santamaria …Wynton Marsalis carries the jazz standard of Dizzy Gillespie …On his 1999 HBO special, Chris Rock shocked and slayed the Apollo crowd summoning memories of Redd Foxx … Debuting her first tour in a decade at the theatre, Whoopi Goldberg, after enjoying mass stardom, paid homage to the Apollo much as Bill Cosby once did… Anxious neophytes continue flocking to Amateur Night in hopes of making it big by touching The Tree of Hope …Through good times and bad, changes in time, taste and technologies it will always be Showtime at the Apollo.

About the Author
Ted Fox is also the author of "In The Groove" a collection of interviews with the men who shaped the music industry. He co-produces and manages four-time Grammy nominee Buckwheat Zydeco and lives in Upstate New York.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Rare and insightful look into one of the most important the
By A Customer
Ted Fox has brought us back in time when The Apollo Theatre was historically one of the most important theatres in U.S. history. It was a cultural temple unlike any American theatre and could be compared to few others, possibly only the French turn of the century houses which were performer and audience havens of (their) contemporary pulse. Mr. Fox has done his homework in interviews, research and photo archives. He also offers an in-depth and respectful look at the performers, management and audiences, and as importantly - The Apollo building itself as a cornerstone of the Harlem community through wars, riots, celebrations, fads and cultural milestones. As research for Harlem, Black Studies and American musical culture and its etaffect - it is necessay. As a great read it is just great fun

4 of 5 people found the following review helpful.
The Mecca of show business
By The RAWSISTAZ Reviewers
Have you ever wondered how the Apollo Theatre began? Who was the mastermind behind the Apollo? When did the famous "Amateur Night at the Apollo" begin? The Apollo Theatre is a legend in both the Black and White communities. It was thought by many to be the greatest show business place in the world. If an entertainer could make it at the Apollo, he could make it anywhere. SHOWTIME AT THE APOLLO by Ted Fox is a fine tribute to this legend. Fox traced Apollo's history from the tumultuous beginnings in the 1920's through the heartbreaking decline of the mid-70's and its rebirth in the 1980's. This cultural institution led the way in defining all types of music that changed by decade moving from swing to funk. He also followed the management era when the Apollo was called other names and located at other venues until it came to rest at 125th Street in Harlem with its Jewish owners, the Schiffmans.

Ted Fox gave an excellent history lesson on the life of this musical institution known as the Apollo. This theatre exerted a lot of influence on the entertainment industry over several decades. The Apollo could make or break careers. Some of our most memorable entertainment greats can lay claim to the Apollo being the springboard for their success. Fox was brilliant in his research of past performers by including tidbits of their personal experiences to give the full spectrum of the theatre's growth and the love felt by many. For those of you interested in the makings of this phenomenon called the Apollo Theatre, please read this book. It will entertain and enlighten you. This is a wonderful book to add to your collection on music history.
Reviewed by Brenda M. Lisbon
of The RAWSISTAZ Reviewers

1 of 1 people found the following review helpful.
The story of a legendary music icon.
By SInohey
Recently the descriptive "legend" has been bestowed willy-nilly on recipients of ephemeral celebrity and of dubious merit and accomplishment. But the Apollo Theater in Harlem, N.Y. is a genuine legend, equal, and even superior to any music theater in the world.

The Classical Revival style building at 253 West 125th street in Harlem was designed by George Keiser and built in 1913-14 as the Hurtig & Seamon's Burlesque Theater, which had a "Whites Only" policy that was rigorously enforced. By the early 1930s, the place fell into disrepair and closed. Sidney Cohen, who owned several theaters in Harlem, bought and renovated the theater, renaming it "Apollo Theater" that catered to the Black residents of the area.
The "Apollo" faced stiff competition from other music halls, especially Schiffman's "Lafayette" and Brecher's "Harlem Opera House" that booked dynamic acts, such as Bill `Bogangles' Robinson and Louis Armstrong. After Cohen died, Schiffman and Brecher took over the "Apollo" and progressed from vaudeville acts to swing era big bands, comic acts, dance and variety shows.
The theater became a gathering place for the neighborhood; men, women and children would flock to the Apollo, when it opened its doors at 10 AM, and some would stay all day through the night to watch the multiple shows offered. Cartoons and newsreel were usually followed by a full length feature fim. .

"Where stars are born and legends are made" was no idle boast from the "Apollo". A pantheon of future stars, black and white, were launched from its stage; Ella Fitzgerald, Duke Ellington, Moms Mabley, the Staple Singers, Richard Pryor, Sam Cooke, Harry James, Stan Getz, Dave Brubeck, Stevie Wonder and myriad others performed at the "Apollo". Every Monday evening `Amateur Night' was broadcast on the 12 radio stations and hopeful performers would rub the Tree of Hope stump and later be chased by the "Executioner" or `Porto Rico', if booed by the rowdy audience. Ella Fitzgerald, Thelma Carpenter and Jimi Hendrix were First Prize winners of the competition.
In 1962, James Brown and the Famous Flames, recorded the first `Live at the Apollo'. The album was a hit and a precursor to a series of live recordings by many artists from the "Apollo".

"Showtime at the Apollo " by Ted Fox was originally published in 1983 and went to 3 editions, it has now been revived and has not lost any of its appeal. Fox has written the definitive history of the Apollo theater in Harlem, from its inception as a burlesque venue, reserved exclusively for Whites, to its metamorphosis into an iconic cultural center for African Americans and the entire nation. The author traces the genesis of the theater, the rise of the venue during the "Harlem Renaissance" to its deterioration during the neighborhood's decay by drug infestation, and finally to its rebirth under new ownership in 1980s.
Through personal interviews, first source documentation, photo archives and in-depth research, Ted Fox has written a respectful, honest and unvarnished tribute to what is arguably the greatest music hall in the nation, equal to the venerable "Moulin Rouge" in Paris.

Anyone interested in American music and/or African American history will find this to be a terrific resource and a great addition to any library.

Full disclosure: I was asked by the publisher to review this complimentary EBook.

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# Ebook Warlords: An Extraordinary Re-creation of World War II through the Eyes and Minds of Hitler, Churchill, Roosevelt, and Stalin, by Simon Be

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In a unique combination of innovative style and thorough scholarship, Warlords tells the story of World War II through the lives of the four great war leaders: Adolf Hitler, Joseph Stalin, Winston Churchill, and Franklin Roosevelt. While their nations fought battles with weapons, the four warlords of the twentieth century fought a war of the mind. Structured along the lines of a cinematic thriller, rapidly cutting from one man to the next, the book takes us blow by blow as they try to outthink and outfight each other. These encounters are told on a day-by-day, even hour-by-hour basis, affording unparalleled insights into parallel actions. Though there have been many single, and some dual, biographies, no previous book has put these four great figures together in this exciting and popularly appealing way. Moving from Whitehall and Washington to the Wolf's Lair and the Kremlin, Warlords documents the psychological battles among the leaders and shows how their thoughts and actions changed history.

• Sales Rank: #1841348 in Books
• Published on: 2006-03-27
• Original language: English
• Number of items: 1
• Dimensions: 1.19" h x 6.70" w x 9.20" l,
• Binding: Hardcover
• 384 pages

From Publishers Weekly
Recounting WWII from the point of view of the era's four political giants is an original idea, and it works: while not exactly revisionist, Berthon and Potts's book delivers some good jolts. Where popular writers often portray the good guys, Churchill and Roosevelt, as friendly partners, the authors refuse to soft-pedal controversies that erupted after America declared war—especially over Churchill's reluctance to support a cross-Channel invasion and F.D.R.'s pressure on Churchill to free Britain's colonies. Readers will wince to be reminded of Roosevelt's conviction that Britain's imperial ambitions were a greater threat than Stalin's and his belief that Stalin was a sensible fellow one could do business with. Those accustomed to the stirring History Channel depiction of WWII as a crusade against evil will cringe to read of Stalin's persistent, insulting treatment of his allies and of the unspeakable atrocities he committed against his own countrymen. Using diaries, correspondence and personal accounts, the book cuts back and forth among its subjects as they direct the war. This cinematic style succeeds (the authors work in British TV), and the scholarship is solid—so solid that readers convinced WWII was less squalid than other wars may be provoked to reconsider. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Synthesized mainly from the diaries and memoirs of associates of Roosevelt, Churchill, Stalin, and Hitler, this blitz through World War II in Europe unreels like a screenplay, confiding an inside view of strategy and the war's major battles. A canonical narrative permeated by well-known quotations (such as Churchill's "Hess or no Hess, I am going to watch the Marx Brothers"), this work will appeal more to new rather than veteran WWII readers. The authors, both of whom work in television, choose to open with Churchill's appointment amid Germany's offensive against France in May 1940. Attentive to stage scenery, Berthon and Potts always describe the physical settings as they develop their principal storytelling element: the thoughts each leader entertained about his ally or enemy. This focus on personality brings out, for example, Stalin's colossal miscalculation about Hitler, and effects an appreciation in a general audience for directions the war took that were influenced by the psychology of the top leaders--always a reliable hook for popular history. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
"A lively narrative that shifts quickly from scene to scene, taking the reader along for the ride...Recommended." -- Library Journal, starred review 03/15/06

"A unique book that presents the four major figures of the Second World War…Fast-moving." -- Great Lakes Bulletin, 6/16/06

"An extraordinary view…of Roosevelt, Churchill, Stalin and Hitler…A good review of WWII told from an unusual perspective." -- Escambia Sun-Press, 6/29/06

"Articulate, crisp, and informed, this is a book worth reading." -- World War II Quarterly, October 2006

"Warlords hit the spot perfectly...[The] juxtaposition of the four story lines...is fascinating." -- Book Browse, Spring 2006

The general reader will be delighted with this popular approach to the subject. -- Military.com, 05/10/06

Most helpful customer reviews

13 of 13 people found the following review helpful.
Enjoyable and gripping, but narrow perspective at times
By AW
"Warlords" is an enjoyable read and an excellent summary of the progression of the European theater of World War II (expect very little regarding the Pacific). It uses a variety of sources that come directly from the warlords themselves, or from those very close to them. The end result is view of World War II from the people who managed the conflict at the very top.

The book is well-written, and is occasionally novel-like in its flow, making for very enjoyable history. The collection of sources successfully brings out the personalities of these four leaders and turns them into life-like characters.

However, despite my overall favorable impression of this book, I have some criticisms. The authors occasionally relied too heavily on certain sources. For example, Goebbels's diary was a heavy favorite in matters concerning Hitler and his decision-making. Goebbels was among Hitler's most loyal confidants, so clearly this is an important source for a work of this nature. But it seemed that additional sources that may have cross-examined Goebbels's and other favorite sources' perspectives would have been welcome additions (though admittedly adding to the complexity of the story and the authors' efforts).

My second criticism is the book's clear Anglo-American-centric perspective. The "top billing" in this story are definitely Roosevelt and Churchill. The intricacies of their relationship and joint decision-making form the bulk of the work. Some of this stems from the fact that Roosevelt and Churchill were much closer and in more constant contact than either of them were with Stalin. But for much of the book, the Soviets seem like an enigma akin to what Roosevelt and Churchill themselves must have experienced. There is less perspective regarding Soviet feelings and attitudes concerning their allies. While a great deal of Roosevelt's and Churchill's personal feelings, demons, and aspirations are laid bare, I still feel like I don't know any more about Stalin than I knew before. The subtleties and intricacies of his mind and decision-making are less explored than those of his allies. The authors' treatment of Hitler probably lies somewhere in the middle between Roosevelt/Churchill and Stalin, with an adequate window into his conception of the world and his decision-making.

I think the book suffers from not having one or two chapters devoted to the early lives of these four leaders and the political events leading up to World War II. For someone familiar with World War II and its "characters," this background isn't as necessary. But I think an adequate introduction into the lives and minds of the subjects and their positions as the war was brewing would have contributed greatly to the overall picture. As it stands, the book has a short prologue, then dives right into the war, starting not with the invasion of Poland in 1939, but rather with the hard fight in Western Europe of 1940. Given the book's subject matter, this format is forgivable. But it prevents the book from being a complete standalone story of World War II (even in the European theater, where it focuses exclusive attention).

And finally, the book's conclusion is disappointing, ending quite abruptly with the death of FDR and Hitler. In fact, the deaths occur in the book's epilogue, indicating that those climactic moments in the war are merely an afterthought in the story. The authors make only a paltry effort to offer any kind of closing perspective to this great body of research. I would have preferred an epilogue or closing chapter entirely devoted to this. What do they conclude from their examination of the interactions of these four titans? Readers can draw their own conclusions, but without some kind of conclusion on the part of the authors, their great story somehow seems incomplete.

All these criticisms in mind, this is still a very fascinating and enjoyable book. I would recommend it for people interested in the period. Those with no previous knowledge of the era will likely want to augment this read with additional sources, and perhaps keep an encyclopedia handy. For someone interested in military history specifically, this book will disappoint. Epic struggles in the war like the Battles of Stalingrad and Kursk are lucky to get more than a paragraph of attention. Don't expect details on the operations of the SOE or the creation of the Tiger tank. But this isn't a flaw; it is a by-product of the authors' stated subject matter. And except for the critcisms listed above, the authors do a very good job of covering this subject.

4 of 4 people found the following review helpful.
How many Warlords are missing?
By Jose Ernesto Passos
It is a book that is very interesting to read and I would give a higher rate if it was not for something big missing. They concentrated the story on Europe, they forgot Japan and Asia. That was a World War, and not an European War.

I guess the way Japan functioned during the war is not so well known so there is something important missing, who was the Japanese leader that influenced the major decisions, how he thought? What was happening inside Japan during this period of time? What kind of leadership they had? What was the role of the emperor? of General Tojo or Admiral Yamamoto? Any of them was the major war brain?

In continental Asia, there was a major drama happening in China at the time, two importante leaders in world history,Mr. Chiang and Mr. Mao would unite forces to fight a foreign enemy... what roles they played, what was the interaction with the USA at the time, how this influences the USA attitudes toward China until today?

If we look at the Allied powers there was two real superpowers, USA and USSR, Britain had not the resources to fight the war, but Churchill was put in the book because of his personality, without the USA he would have played a very different role in WWII. The italian leader, Mussolini was also someone to be analyzed, he was in a position similar to Churchill, with fewer resources and a weaker player, but it would complete the picture.

I would add a few other questions regarding Mr. Roosevelt and his style of management...How advanced he was in concepts of Management? what concepts he applied? how good he was in identifying talented people to do the required tasks? how he motivated the whole free world to work together in the future? the depth of his vision for the future and what mission he established for the Allied powers and his mistakes... The Roosevelt administration used so many concepts of modern management theory.

All my questioning above is due to the fact that I liked very much to read this book. It may not be very precise in its research, but makes you feel closer to the minds and the thinking that the major players did... I would add a companion book to this one:Why the Allies Won by Richard Overy.

4 of 4 people found the following review helpful.
Excellent overview of the interactions of the Warlords
By Dave Schranck
The obsessed British Prime Minister who had the will but not the army to fight Hitler, who terminated relations with France, sinking her key warships, who rejected Hitler's peace overtures for six months, who wooed FDR into the war, and would sell his soul and Europe's to the devil for his help in defeating Hitler.
The American President, the ultimate and constant politican, who would give billions in aid to the Soviet dictator, overlook the horrible crimes the Russian did against humanity, ignore his advisors of the Russian dictator's duplicity and look the other way as the dictator started devouring Eastern Europe in order to keep America out of the war.
The megalomaniac German dictator, who after conquering most of Europe found it wasn't enough and had to conquer the fertile resources of Russia as well as destroy Communism, is shown at his clever best and his profound worse.
The final warlord, the manipulative Russian dictator who played friend and foe better than the others, would gain the admiration of his Allies. This is the person who had treaties with Hitler and sat back and watch France and Britain be defeated in 1940. This is the same person who annexed parts of Finland, Poland, Rumania and all of the Baltics and who executed thousands of Polish soldiers after Poland surrendered but was still sought out and even admired in some ways.
I don't understand Churchill. He was such an anti-Communist that he almost sent troops to Russia during their civil war to put down the Red Army. Prior to the war, MI5 knew of and tried to stop the active Communist plot to overthrow the British Gov't. In fact most of Europe was defending themselves against the scourge of Communism. Churchill would eventually agree to acknowledge these Russian annexations as legitimate as well as restricting the MI5 from prosecuting the Communists. When the British Army was wanting for tanks and ammo, Churchill was sending supplies to Stalin. There is an equal amount to say about FDR but I'll stop here.

These are the main characters of the book and the authors do a very good job of reconstructing their relationships with one another during the war. They weaved this engaging story from interviews, diaries and available biographies of the principals as well as close associates. There is also a wealth of secondary resources that is used to help finish the portraits as well.
While this book is engaging and informative with regarding to the interaction of these warlords, it is not comprehensive and while there is mention of key milestones in the war there is little coverage of direct daily command decisions these warlords had on their armies.

The story begins with Churchill becoming Prime Minister and the defeat of the French and British in 1940 and will wind its way to the death of FDR and quickly finishes just past the end of the war in Europe.
Churchill receives more attention than the others for he was constantly trying to persuade FDR or Stalin to join the cause or do something for the cause.
While the personal and political coverage is good, there is not a lot of depth to the story. This story is tightly focused, there is not much coverage outside the immediate circle of each warlord with regards to the rest of government. There is some analysis and criticism levied on these four but it was mild and could have been extended.

I would take issue with the author's view that the main reason for Hitler invading Russia was to isolate England and force her to the peace table. This may have been a secondary consideration but it was not the primary reason. Hitler's hatred of Jews and Communists along with liquidating a historical and potential adversary as well as envying Russian land and resources were the primary reasons.
I also thought coverage of FDR was light and could have been filled in more.

This is an ideal starter book to learn a little about the personalities, strengths and weaknesses of these important leaders as well as the impact their political decisions had on the war. Its an easy, engaging read that would satisfy most but it would also make a great foundation if further study is desired. One aspect of the book that was missing and wasn't in the purview of the authors is the relationship of the Grand Alliance with regards to the Pacific War. Let me suggest Nicholas Evan Sarantakes' "Allies against the Rising Sun" which gives a splendid accounting of the relationship of Churchill and Roosevelt in regards to the Pacific.

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## Download Ebook Financing a College Education: The Essential Guide for the 90's, by Judith B. Margolin

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Families discover how the system of higher education can work for them, rewarding their child with a college degree from a good school that the family can afford.

• Published on: 1989-05
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 6.00" w x 1.00" l,
• Binding: Hardcover
• 307 pages

From Library Journal
In this guide for parents, Margolin (affiliated with the Foundation Center, a national clearinghouse for information on foundations and corporate grants) describes various ways to pay for college, including prepaid tuition plans, loans, cooperative education, trusts, scholarships, and investments. She presents information from a variety of sources in a very readable fashion. Students and parents will need to investigate specific programs further (bibliographies and some addresses are provided), but this is a helpful starting point. Similar to Lana J. Chandler and Michael O. Boggs's The Student Loan Handbook ( LJ 2/15/88), but Margolin is more comprehensive. Recommended.
- Wendy Allex, Lee Cty. Lib. System, Ft. Myers, Fla.
Copyright 1989 Reed Business Information, Inc.

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* PDF Ebook The Black Phalanx: African American Soldiers In The War Of Independence, The War Of 1812, And The Civil War, by Joseph T. Wilson

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Joseph T. Wilson was not only a historian of the fighting black spirit in the Civil War, but was one of its soldiers. His fellow veterans recruited him to write a complete and accurate record of the great struggles for liberty and union borne by African Americans. The result was The Black Phalanx, a book rich in anecdotes, eyewitness accounts, and previously overlooked facts. This classic includes succinct, compelling accounts of African Americans in the Revolutionary War and the War of 1812, men who fought and died for freedom they could not enjoy. The body of the book examines every aspect of black service in the Civil War: the "revolutionary" decision to arm captured black soldiers, and the efforts to recruit troops; the training of black Union regiments; and battles they fought, including the assault on Fort Wagner, the siege of Petersburg, and the fall of Richmond. African Americans spilled blood in every theater of war, from Arkansas to Virginia, and The Black Phalanx is Wilson's spirited history of those soldiers whose valor was denied until it was proven in carnage and victory.

• Sales Rank: #795178 in Books
• Published on: 1994-03-22
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x 1.22" w x 5.50" l, 1.51 pounds
• Binding: Paperback
• 534 pages

Features

• ISBN13: 9780306805509
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Library Journal
In 1887, Wilson offered this first history of the role of the African American soldier in the the War of Independence, the War of 1812, and the Civil War in which he himself served. This edition contains a new foreword by scholar Dudley Taylor Cornish. An important volume for all American history collections.
Copyright 1995 Reed Business Information, Inc.

From the Back Cover
This classic includes succinct, compelling accounts of African Americans in the Revolutionary War and The War of 1812, who fought and died for a freedom they could not enjoy.

About the Author
Joseph T. Wilson (1836–1891) participated in the Port Hudson campaign in Louisinan, and was wounded in the grim Battle of Olustee in Florida.

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12 of 12 people found the following review helpful.
A Memoir of Their War
By Acute Observer
Joseph T. Wilson was a soldier in the Civil War who was wounded at the Battle of Olustee. This 1885 book is his history about the struggle for liberty by the Colored Troops, and remains a storehouse of information. Wilson was born in Virginia and educated in New Bedford Mass. After working on a whaling ship he joined the US Navy. Later he traveled to New Orleans and enlisted in the Second Louisiana Native Guard regiment during the Civil War. Wilson collected material for his future history. After his discharge he worked for the Secret Service, the Internal Revenue Service, then Customs. He was active in the Republican Party in Virginia during Reconstruction. Colored Troops were organized in South Carolina, Louisiana, and Kansas. Wilson's book remains an authentic record of that era. It has a table of contents but no index.

Part I has a chapter on "The War of 1775". This history has never been written before. Wilson searched the early histories, literature, and biographies. They were few in number because the war was in the North. The Continental Association banned the import of slaves (p.23). Free Negroes were part of the army (p.31). The British offered freedom to slaves who joined the British army (p.43). After the war Virginia emancipated slaves who had served as soldiers (p.50). American historians have generally omitted the Negroes who were in the Continental army. Chapter 2 is about "The War of 1812". Three of the sailors taken from the `Chesapeake' were Negro natives of America (p.73). General Andrew Jackson recruited soldiers from the Free Colored of Louisiana for the same bounty in money and land as white soldiers (p.81). The state of New York did the same (p.83). They fought in the Battle of New Orleans (p.86) and Sacket's Harbor (p.88).

Part II covers "The War Between the States". Chapter 1 describes the prejudice against the colored races by white people. Negroes and Indians were not enlisted in white regiments (p.94). Negroes were readily accepted in the Navy, as ever (p.103). The "U.S. Colored Troops" were started in May 1863 (p.125). Regiments were organized in Massachusetts, Pennsylvania, Connecticut, and Rhode Island. Negro regiments were begun in 1862 South Carolina to reinforce the Federal troops (p.146). Major General David Hunter's letter explains this (p.152). The threat of reprisals prevented execution of captured Union officers. They needed experienced officers for the Negro regiments (p.169). In time non-commissioned officers came from the ranks (p.175). The chapters tell abgout battles in the Gulf, the Frontier, the South, and the Cumberland region.

Chapter X tells about the atrocities where surrendered US troops, both black and white, were shot and killed. If they were captured they would not be exchanged (p.374). The victories by the Black Phalanx showed their devotion to liberty and the flag (Chapter XI). This chapter described the battles in Virginia. Intrenched forces defended against assaults (p.393). Chapter XII names the enlisted men who received Medals of Honor for heroism from the US Government. Chapter XIII lists the many regiments of the Black Phalanx (pp.464-480). The most interesting is Chapter XIV, "The Confederate Service". In April 1861 the free Negroes of New Orleans organized a battalion with officers of their own race (p.481). [Wilson doesn't say that Louisiana kept the civil law inherited from France.] Other states recruited "persons of color" (p.483); they worked as Pioneers or Sappers building fortifications. Many would escape to the Union lines. General R. E. Lee recommended employing Negro troops and their emancipation in January 1865 (p.488). It was too late (p.493). Part III "Miscellany" tells of education, benevolence, and has the Bibliography.

0 of 0 people found the following review helpful.
Five Stars
By Phil
Great accomplishment. A must read. Easy to visualize

1 of 4 people found the following review helpful.
I got this book for free!
By Amanda Humphrey
I got this as a free book download. I like expanding myself, but that gets expensive. these books are perfect for a little light reading, and it was free!

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