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Springsteen: Point Blank, by Chris Sandford
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Bruce Springsteen turned fifty in 1999—the same year he was inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. He remains one of the last true rock stars and nothing less than a cultural icon, with album sales of fifteen million annually and concerts that are instant sellouts worldwide—now more than ever with the revival tour of the E Street Band. In Springsteen, Christopher Sandford takes us back to the Boss’s early days in New Jersey and through the sensational hits and rock-god lifestyle of the mid-seventies ... bringing the Springsteen story right up to the present for a second generation of fans. By interviewing virtually all the major figures in Springsteen’s life, past and present, and combining that with his own celebrated skill as a writer and critic, Sandford has created a compelling—and often surprising—portrait, one that gives new insight into Springsteen’s music and influence and illuminates the many contradictions in his complex makeup.
- Sales Rank: #546924 in Books
- Published on: 1999-10-15
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.02" w x 6.04" l, 1.46 pounds
- Binding: Paperback
- 480 pages
Review
"a loving yet unflinching portrait... a deft account based on exhaustive research and interviews....The book is most compelling, in its description of how Springsteen's social conscience grew as he matured... a worthy analysis of rock's most generous soul... This book makes one realize Springsteen deserves any peace he has found." -- Boston Globe, 11/19/99
About the Author
Christopher Sandford, the biographer of Mick Jagger, Kurt Cobain, and Sting, is also the author of Bowie: Loving the Alien and Clapton: Edge of Darkness. He has reviewed and written about rock music for more than twenty years, for theTimes of London and other publications, and his books have been published in more than a dozen countries.
Most helpful customer reviews
0 of 0 people found the following review helpful.
And the 1 Star is for the pictures
By A Customer
It's a shame books can't come with "Hazardous to Your Health" warning labels for Springsteen fans.
As nearly as I can figure, the author used as many anonymous sources as possible, and filled in the blanks with whatever information he could make up. He also obviously kept his Thesaurus close by so he could adhere to the adage: "If you can't dazzle them with facts, baffle them with BS."
True Springsteen needn't waste their money unless they have been advised by their doctor to raise their blood pressure a couple points.
12 of 13 people found the following review helpful.
Blunder Road
By Patrick R. Curren
It's always good to read a Springsteen bio that counterbalances the worshipful works by Dave Marsh, whose objectivity is tainted by his family's long personal relationship with Bruce.
On the up side, this is a warts and all portrait that offers information I haven't read elsewhere. It paints a fuller, more life-like picture than previous books.
On the down side, the author is guilty of gross overwriting and sweeping generalizations. Where one word would do, he uses four or five. I suspect many readers will also have trouble decoding the "Britishisms" that litter every page.
Another negative is the failure to grasp the culture of Asbury Park and Freehold in the 1950s and 1960s. I grew up in this area, a few years behind Bruce, knew this culture firsthand, and saw all his early bands (except the Castilles). The author alternates between being clueless and plain wrong. There were enough factual errors (e.g., Ocean County College is not on Hwy 9, the Stone Pony was not in existence during Bruce's scuffling club days) to make me question the accuracy of the balance of the book.
In short, while this is an interesting addition to my rock-n-roll library, I'm still waiting for the definitive Springsteen biography.
2 of 2 people found the following review helpful.
Dismal at best...
By William E. Innes
I've been an avid and captive listener of Bruce Springsteen's music for about three decades. That said, I'm not above reading a juicy/tell-all tome such as this one that Sandford strived to create.
The problem is, he just doesn't do it well (mercy, he makes Angela Bowie's teall-all book, BACKSTAGE PASSES; LIFE ON THE WILD SIDE WITH DAVID BOWIE, seem like a masterpiece by comaprison).
Being pretty well-grounded and centered as an adult in my forties, I'm a bit beyond the need to have heroes (though I'll be the first to admit that Springsteen was something of a hero to me back when I was in my teens, back in the days when I still was dumb and innocent enough to have heroes in the form of rock stars). So, this book could have revealed that Springsteen spent a chunk of his life slumming around the most seedy places in Time Square...and it really wouldn't diminish the admiration that I have for the fine canon of songs & performances that he's given the world).
So, no, there was no offense taken...nor were my sensibilities shattered... by some of the rumors and theories that Sandford tries to put forth in his book.
The problem with Sandford's book is that its poorly written. I mean, the writing is downright bad. So bad that I'm surprised an editor didn't demand a complete overhaul of this book before allowing it to go to print. This book is laden with vague/obtuse sentences, along with some of the most awkward paragraph constructions that I've ever tried to wade my way through.
To make matters even worse, Sandford clearly has an agenda...and damned if he'll let facts get in the way of his agenda. There's certainly no crime when one tries to take a few feet off of a pedestal. And, really, I'm glad he did this while Springsteen was still alive, rather than after (what I hope will be a far off) death. There's nothing more demonic than the likes of Albert Goldman who've written scathing biographies of folk such as Lenny Bruce, Elvis and John Lennon after they're dead and gone.....and have no way of defending some of his more vile and vitriolic claims on their lives.
In the case of Sandford's book, he does such a poor job of masking his agenda that it's unlikely that a cat such as Springsteen gave a rat's behind about what is contained in these pages. Or, equally as plausible, Springsten...like many others whom I've known who've read this book...may have tossed it aside after a few pages of discovering that Sandford gropes with forming a coherent thought or even a decent sentence structure.
I am always wary of biographers who approach a subject with an agenda. As mentioned, their agenda often tends to ride roughshod over actual facts. That in itself would cause me to encourage folks to steer clear of this book. There are better and more objective biogrpahies about Bruce Springsteen readily available.
But, for those of us who dig a little dirt, Sandford's factual errors....and just plain bad-writing...make this book a trial and a chore to plow through. If one is going to dish out some dirt...and there will ALWAYS be a market for that....then I don't think it's asking too much for an author to get his facts straight and to write it in a style that doesn't read like a shoddy translation into the English language.
In a nutshell, this book is poorly researched and poorly written. Really, if one is looking for dirt on Springsteen, then hunt down the article that appeared in ESQUIRE magazine some years back. At least that piece is well-written.
This book is nothing less than a hack-job.
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