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A fascinating, anecdote-filled behind-the-scenes look at more than forty years of the highlights, successes, and day-to-day inner workings—all about productions, the divas, and backstage dramas—of New York’s Metropolitan Opera House, by Joseph Volpe, the only general manager to have risen through the ranks.
This book is the story of Volpe’s years leading up to those at the Met, from his first job as a stagehand at the Morosco Theater to the odd jobs he picked up moonlighting: setting up a searchlight or laying down a red carpet for a movie premiere, changing titles on the marquees at the Astor, Victor, and Paramount theaters. It is his Met years—from apprentice carpenter to general manager—that give us a story about New York and the business of culture. Volpe looks at the Met today, an institution full of vast egos and complicated politics, as well as its glittering past—the old Met at Thirty-ninth and Broadway, and the political and artistic intrigues that exploded around its move to Lincoln Center. With stunning candor, he writes about the general managers he worked under, including Rudolf Bing and Anthony Bliss; his own embattled rise to the top; the maneuverings of the blue-chip board; his bad-cop, good-cop collaboration with the conductor James Levine; and his masterful approach to making a family of such highly charged artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renée Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor.
- Sales Rank: #959143 in Books
- Published on: 2006-05-02
- Released on: 2006-05-02
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 9.56" h x 1.13" w x 6.73" l, 1.43 pounds
- Binding: Hardcover
- 320 pages
Most helpful customer reviews
23 of 27 people found the following review helpful.
Bravo Volpe! From Blue Collar Carpenter to General Manager of the Metropolitan Opera!
By C. M Mills
Joe Volpe is an American success story! Volpe was Brooklyn born; street tough and eager to learn! In over 40 years at the
Met he has arisen from carpenter to the general manager position.
After 16 years at the company GM this talented on hands leader will officially "retire" at the end of 2005-2006 season.
Volpe's book charts his rise to the top of the Metropolitan opera as this tough, sometimes abrasive but always honest impressario opens the doors of the Met at Lincoln Center to give
us a seat at the world's greatest opera house!
I devoured this book in two days as I learned of the way the Met functions; union negotiations and the quirks and perks of the operatic figures whom Volpe has worked with over the years.
The chapter on Pavarotti and Domingo was outstanding. Volpe's
firing of Kathleen Battle is discussed and the reasons for her
dismissal were warranted!
I turned to this book after listening to Volpe's review of his career on the Met broadcast during this past year. Even if
someone was unfamiliar with the arcane and forbidding world of
opera for the neophyte this book is a winner!
Bravo Senor Volpe! Thank you from an opera fan in Knoxville for your years of outstanding service to our beloved Met!
8 of 8 people found the following review helpful.
The House of Diva
By Jon Hunt
Joseph Volpe's "The Toughest Show on Earth" is a remarkably comprehensive look at the recent history of the Metropolitan Opera as told through the eyes of the retiring general manager, himself. Volpe has the best "view" in the house and no wonder...he's been there for over forty years.
From the start it's clear that Joe Volpe is not a man to be crossed lightly. Tough as nails (and nails were part of his business) he rises from an entry level position to the top job...and reveals much along the way. There's just enough "dirt" in this book to tickle the senses of the reader and anyone who has ever been in opera knows exactly what Volpe describes...in order to be associated with opera personalities it is sometimes required to act like one.
The longest chapter in "The Toughest Show" is devoted to Volpe's firing of Kathleen Battle and one can just see the steam building in the author's ears as he amasses stories of misbehavior on the part of the "embattled" diva over a period of years. Finally, he acts, much to the delight of the cast and crew. It's a juicy chapter and one of the best in the book. While Volpe offers reflections on just about anyone with whom he has come in contact, he reserves the nicest comments for conductor James Levine and (whom he calls the "Siamese Twins") tenors Luciano Pavarotti and Placido Domingo. Without these three would there be a present-day Metropolitan Opera?
There are occasional bouts of self-serving given over to by the author and often he feels a need to defend himself based on some past controversial decisions, (which I found rather astounding given the fact that he is departing the scene) but what makes "The Toughest Show" such a wonderful book is the comprehensiveness of the Met story. It's not only onstage and backstage but everywhere else, too. "The Toughest Show on Earth" is the greatest guided tour around. It's a terrific read and Volpe deserves much credit not only for this book but for a lifetime of service dedicated to one of the nation's treasures...the Metropolitan Opera.
5 of 5 people found the following review helpful.
Tough Love
By Douglas Delisle
Joseph Volpe was a tough as the job he took on when he grabbed the reins of the Metropolitan Opera House, having to deal with the likes of James Levine and Luciano Pavarotti.
But as in the phrase beloved of behavorial psychologists, his was a "tough love." He started as a carpenter at the Old Met with but a passing interest in opera, but by the time he left, music infused his very blood with a passion for his work and the people who populated the space he called home.
The autobiography details the years, the failed marriage, the battles with superstars, the triumphs and disappointments with a candor perhaps unique in this type of memoir, where the authors tend to be either diplomatic or, as with Sir Rudolph Bing, unrelentingly acerbic.
Volpe tells his story in lean, plain-spoken language that reveals the inner workings of the gargantuan Met and makes that place of mazes and convolutions an environment the reader can understand.
Joe Volpe (after reading the book, it's hard to think of him as Joseph) dragged The Met kicking and screaming into the 21st century without violating the traditions that surround opera, and his book is refreshing, entertaining and revelatory.
It should be read by anyone interested in opera, politics or the big business of show.
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