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A Cure For Gravity: A Musical Pilgrimage, by Joe Jackson
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Since the release of his first best-selling album Look Sharp in 1979, Joe Jackson has forged a singular career in music through his originality as a composer and his notoriously independent stance toward music-business fashion. He has also been a famously private person, whose lack of interest in his own celebrity has been interpreted by some as aloofness. That reputation is shattered by A Cure for Gravity, Jackson's enormously funny and revealing memoir of growing up musical, from a culturally impoverished childhood in a rough English port town to the Royal Academy of Music, through London's Punk and New Wave scenes, up to the brink of pop stardom. Jackson describes his life as a teenage Beethoven fanatic; his early piano gigs for audiences of glass-throwing skinheads; and his days on the road with long-forgotten club bands. Far from a standard-issue celebrity autobiography, A Cure for Gravity is a smart, passionate book about music, the creative process, and coming of age as an artist.
- Sales Rank: #791767 in Books
- Published on: 2000-10-25
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .67" w x 6.00" l, .98 pounds
- Binding: Paperback
- 288 pages
Amazon.com Review
Something more than a journeyman and less than a superstar, Joe Jackson has a reputation for being a reclusive and prickly character. But he refuses the low road with A Cure for Gravity, a resolutely non-lurid autobiography of a man who considers music to be a noble calling. It matters not that the author was once lumped in with England's insurgent first-generation punks and new-wavers; here Jackson insistently focuses on his development as a composer, player, and performer, approximately in that order. Born to modest means in a setting where a sickly, creative youngster such as Jackson was regarded with suspicion, if not contempt, the young Brit was trained in the classics and developed his keyboard skills, playing everything from cabaret to progressive rock before finally setting off on his own as a sharp-tongued, ska-influenced Angry Young Man. A more sophisticated musician than his rag-tag running mates (he's recently released an ambitious fusion of pop, jazz, and classical elements dubbed Symphony No. 1), Jackson revels in the intricacies of his craft--as much or more than he does in telling his own up-from-the-gutter tale. Old new-wavers who remember the author from his 1978 Look Sharp! debut and devotees of his more stylish early '80s recordings may be caught off guard by the short shrift Jackson gives his actual recording career; indeed, he shrugs off a couple decades in the final pages of the book. But the articulate, idiosyncratic author is clearly more interested in addressing what makes a musician than what happens once a musician has it made. --Steven Stolder
From Publishers Weekly
To the credit of popular 1980s British singer/composer Jackson ("Is She Really Going Out with Him?" "Steppin' Out"), there is little melodrama to this bookAhis hit recordings, beginning with Look Sharp in 1979, receive only brief mention in the final chapters. Instead, Jackson presents a portrait of the artist as a young geek, detailing the quiet undulations of his life as an intensely introspective, gifted musician growing up outside of London, studying at conservatory and touring around in much derided bar bands. We see the 14-year-old Jackson obsessing over Beethoven's Eroica symphony ("As the fanfare comes to a halt, there's a pregnant pause: What's this lunatic going to do now?"); we see him on his way to the Royal Academy of Music ("As the ferry docked, the workers poured like a sluggish plague of locusts through the Dockyard Gate, and I boarded the London train"); and we see him pouring beer on drunk women during bar fights in obscure locations. Fellow musicians, no matter their chosen genre, may see themselves in Jackson's accounts of pathetic pub gigs and unpleasant music industry dealings. Jackson is an easy, natural writer, sometimes an excellent one. He is often funny, and though a bit digressive, the book is worth reading for its style alone. (Oct.)
Copyright 1999 Reed Business Information, Inc.
From Booklist
Showbiz bios written by the subject without benefit of professional writing assistance are few, and those that make the claim of unassisted authorship plausible are fewer. Jackson says his bio is entirely self-penned. Those who find his music richly nuanced and characterized by an independent spirit and a prickly, self-assured aesthetic will probably find his introspective self-portrait enriching. Those who find his music a little too meticulous or maybe boring won't even notice it. Jackson chronicles his progress from the gritty English port town of Portsmouth to matriculation at the Royal Academy of Music to a pop-music career. He first got international attention and chart success during the punk^-new wave heyday, but Jackson has more to ruminate about than a five-year spasm of teen-music trends. His knowledge of and flair for music make him hard to pigeonhole; how many other pop stars would bring up the second Shostakovich string quartet? Only he, perhaps, can do himself justice, which is what he certainly tries in this literate volume. Mike Tribby
Most helpful customer reviews
1 of 1 people found the following review helpful.
Recommended for Joe Jackson fans or any musician for that matter.
By Amazon Customer
So far, it has been a really good read. Hilarious but also provides an in debth look at Joe's journey. Very satisfied and would recommend this to any Joe Jackson fan, or any musician for that matter.
0 of 0 people found the following review helpful.
Five Stars
By Patricia Delahanty
Nice history of Joe Jackson from humble, sad beginnings to cutting his first album.
35 of 38 people found the following review helpful.
A rewarding literary journey for any fan of music
By Paul F. Johnson
As a devoted fan of Joe Jackson, A Cure for Gravity was something I HAD to read, just as the purchase of each of his musical releases is mandatory. But this book isn't just for JJ fans. It's for anyone who's tried to come to terms with that most enigmatic of subjects -- why are we so drawn to and rewarded by this thing called music?
It's a tricky subject to tackle for anyone, and the fact that a (some would say) faded pop star has taken a whack is probably doomed to failure. The book, however, reveals much about what makes an artist just that, and also why so many of us find ourselves touched by music in a way nothing else can move us.
That all sounds very serious, perhaps a bit maudlin to some, and the book does address some heady philosophical subjects. It also made me laugh out loud often as Joe weaves some highly entertaining tales about gigs gone bad, singular characters in the music world, and aspects of his own, often misunderstood character.
It's a great musical memoir in its classic "rise to the top" storytelling, and those parts of the book will appeal to any reader. Damn, if the man isn't as skilled with the computer keyboard as he is with the piano. His lengthy discussions on the nature of music's appeal, though, might turn off the casual reader, but end up being the essential central theme of the book for those of us who are caught under the spell of music.
First, read this book, then start listening to Joe's musical releases over the last 10 years and you'll begin to understand exactly what he's trying to uncover with this ambitious, and successful work.
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