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Gabriele D'Annunzio: Poet, Seducer, and Preacher of War, by Lucy Hughes-Hallett
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Winner of the Samuel Johnson Prize for Nonfiction
Winner of the Costa Biography Award
**Washington Post Best Books of 2013**
**Economist Best Books of 2013**
This fascinating life of Gabriele d’Annunzio—the charismatic poet, bon vivant, and virulent nationalist who prefigured Mussolini—traces the early twentieth century’s trajectory from Romantic idealism to Fascist thuggery.
D’Annunzio was Italy’s premier poet at a time when poetry could trigger riots. A brilliant self-publicist, he used his fame to sell his work, seduce women, and promote his extreme nationalism. At once an aesthete and a militarist, he enjoyed risking death no less than making love, and he wrote with equal enthusiasm about Fortuny gowns and torpedoes. In 1915 his incendiary oratory helped drive Italy into the First World War, and in 1919 he led a troop of mutineers into the Croatian port of Fiume, where he established a delinquent utopia. Futurists, anarchists, communists and proto-fascists descended on the place, along with literati and thrill-seekers, drug dealers and prostitutes. Three years later, when the fascists marched on Rome, they belted out anthems they’d learned in Fiume, while Mussolini consciously modeled himself on the great poet. Lucy Hughes-Hallett’s compelling biography is a revelation both of d’Annunzio’s flamboyant life and of the dramatic times he helped to shape.
- Sales Rank: #735176 in Books
- Model: 29879541
- Published on: 2014-05-06
- Released on: 2014-05-06
- Original language: English
- Number of items: 1
- Dimensions: 9.19" h x 1.23" w x 6.13" l, 1.65 pounds
- Binding: Paperback
- 608 pages
From Booklist
*Starred Review* The subject of this long, busy biography kept notebooks from early on and extraordinarily faithfully. D’Annunzio (1863–1938) also deliberately became one of the first modern celebrities, hard on the heels of Oscar Wilde, and as such he was voluminously documented. Add his many volumes of verse, best-selling novels, and very popular plays, and he offers his chronicler an embarrassment of source material. Hughes-Hallett paints a richly detailed portrait of an eminently civilized sociopath, incapable of restraining his appetites for sex, excitement, and the most exquisite furnishings and utterly insensible to the emotional and financial damage he caused. He went through houses, furnishings, clothes, jewelry, artworks, horses, cars, and airplanes (not boats—he never could conquer seasickness) as if they were water, almost never fully paying for any of them. His mistresses were legion, and among them were some of the era’s most famous performers. And then there were his one-night (or shorter) stands, all recorded, often obscenely, in his notebooks. A national chauvinist who lauded unending warfare and violence, he spearheaded the drive to get Italy into WWI and for 15 months of 1919–20 was the dictator of the Italian-majority Yugoslavian city, Fiume. In the process, he inspired the rising Mussolini, of whom he seldom approved but didn’t criticize because Il Duce paid for every extravagance of his last 15 years. D’Annunzio is appalling but, as Hughes-Hallett presents him, completely enthralling. --Ray Olson
Review
“A stunning portrait of a . . . decadent poet and proto-Fascist firebrand. . . . Reads like a picaresque novel.” —The New Yorker
“A richly detailed portrait of an eminently civilized sociopath. . . . Appalling but, as Hughes-Hallett presents him, completely enthralling.” —Booklist
“Compulsively readable. . . . D’Annunzio was arguably the finest Italian writer of his time, an aesthete who made Oscar Wilde look like a bourgeois, a sexual charmer of Casanovan suavity and appetite . . . a political zealot and spellbinding orator.” –The Washington Post (Best Books of 2013)
"A wonderful biography. . . . Although himself the least empathetic of men, [d'Annunzio] has attracted a biographer of rare sensibility who has set out not to condemn but to understand. The result is a magnificent and beautifully written book that makes readers feel they have really come to know d’Annunzio, his many faults, his fewer virtues, and his enormous talent for life." —New York Review of Books
“Deeply evocative . . . It is not easy to make sense of the life of a man who was a silk-swathed aesthete, prophetic versifier, manic aviator and martial demagogue all in one. . . . Hughes-Hallett is a strong match for her subject. . . . Her style is rich, ironic and pugnacious; she jousts willingly with him and the reader becomes a spectator of this subtle and fascinating contest.” —The Economist
“Dazzling. . . . A shrewd, challenging analysis that links his sadomasochistic psyche to his pitiless ideology. The result is a resonant study of the themes of power, masculinity, violence, and desire that made D’Annunzio such a striking emblem of his age.” —Publishers Weekly, starred review
“Hughes-Hallett crafts an appealing combination of genres, blending elements of biography, fiction, and cultural, social, and military history to create about as complete an image as possible of this most protean personality. . . . Readers will delight in touring the deep, tangled wood of a most astonishing life with a most engaging and learned guide.” —Kirkus Reviews, starred review
“A splendid subject for a biography . . . Hughes-Hallett dances her way through this extraordinary life in a style that is playful, punchy and generally pleasing. . . . In death, as in life, the amazing story of D’Annunzio is painted in primary colours, but with the darkest shadows.” —The Observer (London)
“As gripping a page-turner as the most sensationalist novel—and infinitely more rewarding. . . . It is an amazing story [told] with the vivid narrative thrust of a novel. . . . The book is a revelation, an insight into a murky but significant segment of history.” —The Telegraph (UK)
“Hugely enjoyable. . . . Hughes-Hallett has a great talent for encapsulating an era or an attitude . . . Pleasurable and readable.” —Sunday Times (London)
“A magnificent portrait of a preposterous character. . . . D’Annunzio was deplorable, brilliant, ludicrous, tragic, but above all irresistible. . . . His biographer has done him full justice.” —The Mail on Sunday (London)
“Beautiful, strange, and original. . . . An extraordinarily intimate portrait. . . . If you want to understand fascism, you must start with d’Annunzio; and if you wish to understand him, then here is your book.” —New Statesman (UK)
“How a rather diminutive poet, novelist and dramatist, with a compulsive urge to transgress, priapic sexual instincts, and a fascination with cruelty, blood and death came to be Italy’s most celebrated man of action and a precursor of Fascism is the subject of Lucy Hughes-Hallett’s engrossing and superbly written biography.” —Times Literary Supplement (London)
“Remarkable . . . a terrific piece of work—as audacious as it is gripping, as thorough as it is insightful and as stirring as it is shocking.” —The Daily Mail (UK)
About the Author
Lucy Hughes-Hallett is an award-winning cultural historian and critic. She is the author of Heroes: A History of Hero Worship and Cleopatra: Histories, Dreams, and Distortions. She has written on books, theater, and television for most of the leading British newspapers. For five years she was the television critic for the Evening Standard and has long been a regular contributor to The Sunday Times (London) Books Section. She has judged a number of literary prizes, and she is a Fellow of the Royal Society of Literature. She lives in London.
Most helpful customer reviews
0 of 0 people found the following review helpful.
... of a true rotter who happened to be a great poet and brilliant intellectual
By Scott in Vermont
Very well-written biography of a true rotter who happened to be a great poet and brilliant intellectual. Sex, drugs, spending other people's money lavishly, more sex, more drugs, a classical music lover, and last but not least, a fascist dictator who beat Mussolini to the punch, and by all accounts, an orator to rival Hitler. What more could you want? A thoroughly entertaining read!
0 of 0 people found the following review helpful.
A good read
By M DiFalco
Knowing very little about Gabriele D'Annunzio, I found the book very interesting. It is also a history of the Italy of D'Annunzio times as well as the rise of fascism. Also enjoyed reading of all the artists, writers, lovers who weaved in and out of D'Annunzio's life.
14 of 15 people found the following review helpful.
The many sides of a rebel poet
By Paul Gelman
It's September 21, 1927. He is in his bedroom. A woman has just left. A disordered bed. An overturned scent bottle. A little gold box in which few traces of cocaine remain. A cold supper laid out on the table. D'Annunzio hasn't yet touched the food, but the woman ate some of it during the night. Now, alone, he eats ravenously. The fig and the prosciuto each remind him of the intimate parts of the woman he shared last night.
This is just one almost complete entry which appears in this fascinating new book on one of the most colourful characters in modern history.
Who was D'Annunzio? He was a poet, a seducer, a womanizer, a pilot, a writer, a playwright, a rebel, a leader of proto-fascists and of mutineers. He worshipped Napoleon. He admired Carlyle who would confirm the poet's veneration for great men and reinforce his conviction that it was not economic forces, as the socialists maintained, but the action of superb individuals that shaped history. Born in 1863, he wrote many novels and poems amd spent some time in Paris at the beginning of the twentieth century. These were the times when poets still had a say and were admired. James Joyce called him "the only European writer after Flaubert to carry the novel into new territory". He was also a journalist and yearned for public adoration. He was a notoriours womanizer who took care to document even the tiniest intimate moments of his sexual acts. His sexual appetite was insatiable. He enjoyed drugs and mysticism. And airplanes. And fast cars, courtesy of Fiat. The masses loved him. He was a demagogue and a kind of a Duce; at least this is how he referred to himself many years before the people and history made the acquaintance with the name of Mussolini.
Then, in September 1919, he marched into what he called "The city of Holocaust, Fiume. This episode forms the second part of the book. A city "with a staccato history and mongrel population" sited at the northern part of the Adriatic, which has been one of the Austro-Hungarian Empire's two great Adriatic ports. At the end of WW1 it was occupied by Allied forces, but D'Annunzio thought it should belong to the Italians. He commanded over 200 ex-soldiers in the city until the Italian navy bombed him out. Afetr he left in 1921, over 200 people were killed and about one thousand were wounded in clashes between fascists and socialists. After this episode he would lead a lonely life, still enjoying sex with an endless number of women. This was the man who considered death of the so many young soldiers not only dulce and decorum but also sublime.
The many notebooks he left, his huge correspondence and literary output make it easy on his biographer, since he, and in this case Ms. Hughes, can render D'Annunzio's thoughts, tastes, emotions and physical sensations. As for the style of writing this book, let me quote the author's words verbatim:" I have made nothing up, but I have freely made use of techniques commoner in fiction writing than in biography. I have not always observed chronological order; the beginning is seldom the best place to start. I have alternated legato narrative with staccato glimpses of the man and fragments of his thoughts".
Because he was a public figure for over half a century, the author has been able to draw on dozens of others' records to show the of him outside as well. In short, the book has many viewpoints about D'Annunzio.
This is a splendid biography; in addition, is is also an excellent cultural histoy of Europe between 1880-1930. It shows to what extent other writers and philosophers have influenced D'Annunzio. Among those there were Nietzsche, Rolland, Dostoyevsky, Flaubert and Proust. Written in a very unique and special style, in-depth and superbly researched, this very long biography containing over 700 pages of written text, will be unsurpassed for many years to come.
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