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A precious scroll inscribed with a lost Buddhist sutra—once owned by Pu Yi, the last emperor of China—is illicitly sold to an eccentric French linguist, Paul d’Ampere, who is imprisoned as a result. In jail, he devotes himself to studying its ancient text.
A young Western scholar in China hears this account from the grocer Toomchooq, whose name mysteriously connects him to the document. She falls in love with both teller and tale, but when d’Ampere is killed in prison, Toomchooq disappears, and she, pregnant with his child, embarks on a search for her lost love and the scroll that begins, “Once on a moonless night . . .”
- Sales Rank: #514557 in Books
- Published on: 2010-08-10
- Released on: 2010-08-10
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .61" w x 5.14" l, .50 pounds
- Binding: Paperback
- 288 pages
From Publishers Weekly
Starred Review. Acclaimed novelist Sijie has written another novel that has already caused a stir in France. Narrated by an unnamed Western student in China in the 1970s, the story begins centuries before, with the Emperor Huizong, a calligrapher and great art collector, who acquired a silk scroll with a Buddhist sutra written upon it in an ancient lost language. The last emperor of Japan inherits the scroll and then in 1952, Paul d'Ampère, a French linguist, becomes obsessed with translating the scroll and goes to prison for 25 years for illegally acquiring it. When the narrator falls in love with a greengrocer, Tumchooq, who tells her the story, she begins to witness the life-altering consequences of the scroll—consequences that will change her own life and send her on a journey to seek truth and understanding. Sijie's breathtaking story shows the beauty and horrors that make up China's history while the poetry of Sijie's words is revealed in Hunter's magnificent translation. It's fitting that a story of a love affair with language should be written so beautifully. (Aug.)
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Review
“[A] multilayered masterpiece.” —The San Francisco Chronicle
“Beautiful. . . . Spectacularly scenic. . . . Impressive. . . . The euphonious sounds of the prose, together with the sensory impressions they unleash, reinforce the book’s message that language can offer mesmerizing pleasures.” —The New York Times Book Review
“Enchant[ing]. . . . Elegantly translated. . . . An intricate and affecting legend of love, loss, and intellectual obsession.” —The Boston Globe
“An exquisitely structured, dreamlike tale of strange and noble quests, not to mention love, that roams across centuries and touches down in China, Burma, Mali and Paris.” —Kansas City Star, Best 100 Books of the Year
“Haunting and complex. . . . Told with a spare elegance of prose. . . . Abounds in inventive mythology darkly threaded by a tragic love story.” —The Washington Times
“A freewheeling meditation on language as the divine current that buoys human experience. . . . As a piece of art, encrusted with meaning and mystery, it is rich and strange.” —The Los Angeles Times
“Much of this wonderfully written book is set against the colorful backdrop of Old Peking and the crisply written narrative is as exciting and powerful as a typhoon.” —Tuscon Citizen
“At its heart the novel crafts an ode to the power of language.” —National Geographic Traveler
“[This] complex and well written historical novel . . . grips the audience thoroughly with its poetic look back in time.” —Mainstream Fiction
“Mesmerizing.” —Audrey Magazine
“Elegant and thoughtful. . . . Worthwhile and captivating with a beautiful ending sure to resonate with its audience. . . . A celebration of the joy of a good story. [Dai] Sijie delights in storytelling.” —Bookreporter.com
“Filled with twists and turn of fate, back stories, symbolism and intersections of politics and religion worthy of a Dan Brown novel. . . . Dai adds layer upon layer of meaning. . . . [Once Upon a Moonless Night] pulls the reader along, as does the language, which is pungent and immediate. And as for the scroll itself: this is one mystery, one message, that really makes it worth reading until the last lines of a novel to discover.” —UPI Asia
“Once on a Moonless Night is full of tales within tales and worlds within worlds, ranging from ancient Chinese empires through communist China to modern Beijing.” —A. S. Byatt, The Guardian [UK]
“[Dai] Sijie's ambitious work spans a thousand years of Chinese history. . . . [with] a rich repository of tales, traditions and sensibilities [the book's] theme of indeterminacy of meaning is braided into the clash between East and West. . . . [Dai] Sijie has a gift for the spectacular.” —Times Literary Supplement [UK]
“Once on a Moonless Night evokes the past with all the eerie clarity of a dream, its outlines blurred, but every tiny, telling detail extraordinarily alive. Anyone in search of a brief history of China would do well to begin right here.” —Financial Times [UK]
“[Dai] Sijie’s breathtaking story shows the beauty and horrors that make up China’s history while the poetry of [Dai] Sijie’s words is revealed in Hunter’s magnificent translation. It’s fitting that a story of a love affair with language should be written so beautifully.” —Publishers Weekly (starred review)
“[B]ewitching. . . . As impressionistically historical as it is imaginative, Dai’s dreamlike tale of epic quests and love put to the test is exquisitely structured. . . . Dai’s dazzling and magical saga intimates that language is transcendent; books are precious; translation is a noble art; stories are the key to freedom; and truth prevails.” —Booklist (starred review)
About the Author
Born in China in 1954, Dai is a filmmaker and novelist. He left China in 1984 for France, where he now lives and works. He is the author of the international best seller Balzac and the Little Chinese Seamstress (short-listed for the Independent Foreign Fiction Prize in the United Kingdom and made into a film) and of Mr. Muo's Travelling Couch (winner of the Prix Femina).Sijie
Most helpful customer reviews
23 of 24 people found the following review helpful.
finally, a truly great novel of China
By Lisa Lee
Balzac and the Little Chinese Seamstress proved Dai Sijie is a magical storyteller. Once on a Moonless Night proves he is truly a great writer. The way he weaves tales of the ancient past into a completely moving contemporary story demonstrates not only his virtuoso narrative skill but also how much modern Chinese culture is shaped by its very long history in a way that is almost unimaginable in the West. In addition, what the story has to tell us about the ways language defines us, ways we don't even notice, is nothing less than profound. This is by far the more satisfying and magnificently written novel I have read this year--and that is counting The White Tiger, Cutting For Stone, Netherland and 2666. My book club hasn't yet picked a book in hardcover, but I will be recommending this one. I will be more than glad to read it again soon. In fact, that was the urge I had as soon as I'd turned the last page.
21 of 23 people found the following review helpful.
complex well written historical novel
By A Customer
In 1978 the French student attends the University of Peking studying Chinese literature when she is hired as a translator between the Chinese representatives and a western movie crew wanting to make a film on the last Emperor Puyi. At the meeting she learns of the mysterious second century Buddhist sutra written in an unknown language that the emperor inherited. She becomes obsessed with translating this treasure. The student finds out about the sutra's history in the twelfth century when the Japanese incarcerates Puyi; who apparently ripped it in half and tossed it from a plane.
The student further learns from street stand seller Tumchooq that his father Paul d'Ampere did some work on the half found by her maternal family; her mom is curator at the museum of the Forbidden City. D'Ampere went to prison for twenty five years until he died. The student-narrator aborts the baby she had with Tumchooq and leaves for France after he left the city motivated by to seek the missing half. She tracks him in Burma in 1990, but he is arrested and deported to Laos.
This is a complex well written historical novel that either grips the audience thoroughly with its poetic look back in time or turns off the readers with its flowery description of the past. Case in point is some of the passages go on and on and on with incredible depth like the historian looking at the ancient emperor's love of the art of calligraphy. Character driven including the prized sutra that seems to have a life of its own, ONCE ON A MOONLESS NIGHT is not for everyone as the action in spite of imprisonment in several eras and locales is limited to musings.
Harriet Klausner
16 of 17 people found the following review helpful.
A journey toward discovery and understanding.
By Tanstaafl
What a fascinating book. On the surface it is part language study, part romance, and part mystery. It also has adventure, tragedy and awakening. Deeper, it takes the reader on a trip through a millennium.
Sijie, though writing in French, maintains a Chinese style of story telling. We always sense there is something more just outside our conscious understanding of what we're reading. His use of historical figures provides the basis for the quests that follow.
I have no skill in learning languages. Perhaps because of this, I am fascinated by the efforts to come to grips with those that are little known. That, by itself, was enough to keep me turning the pages. Reading the and Editorial Reviews will tell you enough about the plot.
The author weaves the story through both the beauty of ancient Chinese culture and the restrictions of modern day China. Fluidly written and well translated, this was a pleasure to read.
There is a depth to the story that goes beyond the basic storyline, and I think parts will come back to mind in the days ahead. I heartily recommend this to any who enjoy international fiction.
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